Ebook Candy, by Mian Mian
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Candy, by Mian Mian
Ebook Candy, by Mian Mian
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An international literary phenomenon-now available for the first time in English translation-Candy is a hip, harrowing tale of risk and desire, the story of a young Chinese woman forging a life for herself in a world seemingly devoid of guidelines. Hong, who narrates the novel, and whose life in many ways parallels the author's own, drops out of high school and runs away at age 17 to the frontier city of Shenzen. As Hong navigates the temptations of the city, she quickly falls in love with a young musician and together they dive into a cruel netherworld of alcohol, drugs, and excess, a life that fails to satisfy Hong's craving for an authentic self, and for a love that will define her. This startling and subversive novel is a blast of sex, drugs, and rock 'n' roll that opens up to us a modern China we've never seen before. - Banned in China-with Mian Mian labeled the 'poster child for spiritual pollution'-CANDY still managed to sell 60,000 copies, as well as countless additional copies in pirated editions. - CANDY has been published in eight countries to date and has become a bestseller in France.
- Sales Rank: #1567695 in Books
- Published on: 2003-08
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .69" w x 5.51" l,
- Binding: Paperback
- 304 pages
From Publishers Weekly
Chinese novelist Mian Mian's American debut offers readers a vicarious journey to a place and time shrouded in mystery: gritty, underground China of the late 1980s through mid-1990s. The story begins in Shanghai, when a classmate's suicide prompts narrator Hong to drop out of high school. Fearing she'll never get a job without an education, Hong heads south to the Special Economic Zone, where the government has lifted restrictions so business can flourish. Among the most successful enterprises are nightclubs, gambling, drugs and prostitution. Hong falls in love with a musician and quickly succumbs to an endless nightlife of sex and drugs and all the problems that tend to accompany such fun. Mian doesn't shy away from the ugliness of this world-alcoholism, drug addiction and AIDS cases abound-but her perceptive, compassionate writing turns Hong's raw experiences into something beautiful. Hong's frequent self-analysis feels honest, unpretentious and believably adolescent; Mian never lets us forget that for all her grim, worldly experience, Hong is still touchingly young and exuberant: "My mood was like my lover's hair. Love, for me, was partly a mood, just like that ultradopey bullshit music that I sometimes liked to listen to. That kind of music made me jumpy, but when I felt tense, I felt happy." Though the prose is uneven, sometimes straining awkwardly for lyrical effect, readers will find Hong a compelling personality.
Copyright 2003 Reed Business Information, Inc.
Review
"Mian Mian's realm is one of wretched love affairs, hard drugs, promiscuous sex, and suicide. Her work is revolutionary for the People's Republic, and her own tale is one of personal liberation, excess, and redemption."
Language Notes
Text: English (translation)
Original Language: Chinese
Most helpful customer reviews
54 of 63 people found the following review helpful.
What if Courtney Love wrote a book and nobody cared?
By Steve Koss
It appears that one of the publishing world's latest minor crazes is to indulge the whining, self-absorbed, oh-so-shocking musings of China's disaffected youth culture. Wei Hui's SHANGHAI BABY, Chun Sue's BEIJING DOLL, and Mian Mian's CANDY are the undeserving recipients of far too much attention (and far to much of the precious few translation resources devoted to serious Chinese literature) for books whose only raison d'etre is their ostensible shock value from having originated in mainland China. The formula is simple: write explicitly about sex and drugs, use a few four-letter words, get banned by Beijing, and get published in the West as underground novels.
Regretably, CANDY wastes the talents of a potentially good writer on material that's been said and done a hundred times before. Mian Mian demonstrates flashes of stylistic brilliance and acute observational powers, but the dreary repetitiveness and pointless trite meanderings of her story overwhelm the merits of her work. Her structural devices of changing narrative perspective from first to third person not only fail to enrich her novel, they actually amplify its shortcomings. Her main character, Hong, is just as boring and childish whether we listen to her voice or hear another character talking about her.
In place of an exposition of life in modern urban China, Mian Mian gives us a story of a music and drug culture centered on distinctively unlikable protagonists. Her Shanghai world is populated by artist wannabes, semi-educated, superficial, and over-pampered childen who would rather sleep and drink and go clubbing than deal with the real world. It's China starring Paris Hilton and Jessica Simpson - gag me! Even worse, her story tells us next to nothing about Shenzhen or Shanghai (what other reason would anyone have for reading this book?). Change the characters' names to Cindy and Bill, and CANDY would feel like it was set in London or Los Angeles, or even Louisville for that matter.
Aside from its author being from China (although she no longer lives there), this book offers nothing new, nothing that hasn't been said before about the turgid, angst-ridden lives of disaffected post-adolescents who haven't yet realized they are post anything. Mian Mian's characters - walking cliches spouting tired references to Jim Morrison and Kurt Cobain - demonstrate that present-day Chinese culture, the world capitol of intellectual theft and brand piracy, cannot even experience rebellion and disillusion with originality. CANDY is the novelistic equivalent of a pair of counterfeit Nikes.
At times, the book lapses into literary spells that are unintentionally self-parodying:
"Die in the prime of youth, and leave a beautiful corpse: what an intensely beautiful dream that was."
"The only meaning in my life was that my life was meaningless."
"Sometimes, merely getting into the bathtub would make him start to cry....He wondered, If the shower had eyes, would it be sad?"
"Never forget who you are (even if you end up having a lot of money someday)."
"The world was changing, and I felt as though I no longer had any heroes....I'd long ago stopped wondering about the difference between blue skies and suffering."
Ouch, ouch, ouch!! Speaking of suffering, save yourself the experience and skip CANDY. Listen to some Nirvana with an Alannis Morisette chaser, watch "Trainspotting" or "Sid and Nancy" or "Beavis and Butthead" and you'll get the same message a lot quicker. If you really want to read about life in China, try Chen Ran (A PRIVATE LIFE), Ma Jian (RED DUST), Geling Yan (THE LOST DAUGHTER OF HAPPINESS), Lan Samantha Chang (INHERITANCE), or any of Mo Yan, Yu Hua, Hong Ying, Gao Xingjian, or Ha Jin.
2 Stars for artistic potential and the hope that next time, Mian Mian looks further than her own navel for something to write about.
22 of 28 people found the following review helpful.
'Scènes de la Vie de Bohème' in China.
By Luc REYNAERT
This book was a sensation in China, because it depicts for the first time the youth drug scene in that country.
The main character of the book left her family at a very young age and lives a kind of hippy life in different cities in China. She jumps from lover to music to drugs in an unending circle, looking for some happiness.
This novel is a kind of diary but, unfortunately, it has no plot. As a matter of fact, the author added a number of scenes to the book after the first edition. It should be easy to add another hundred pages.
Into the bargain, it is a magnified example of what an author should not do: dozens of pages of expressions of her emotions. But that is not the aim of art (writing). A writer should arouse the interest and the emotions of the reader, not express his own. After a few chapters this novel becomes boring. One litany of lamentations is enough.
One can feel sorry for her, but one does the same when one sees real junkies in the street.
By the way, this subject had already been better covered in the West (W.S. Burroughs).
Two stars for the courage to write about this subject in China.
10 of 12 people found the following review helpful.
A Spoiled Brat in Shenzhen
By A Customer
I found this book utterly insufferable! It features one of the most unlikable lead characters in recent memory, an admitted spoiled brat who lives off her parents or her musician boyfriend and expects sympathy for her drunken fits of jealousy when she is not whining about how "phony" everyone and everything around her is or romanticizing the nightlife and drinking and drug-taking of her screwed-up milieu. The excuse she makes for her immature, grasping behavior is that she doesn't know what love is. Yeah, and she doesn't know how to behave like someone more than six years old, either! Despite romantic entanglements, drug addiction, stints in rehab, and a friend's seeming infection with AIDS, there is NO character development and nothing that would lead to empathy with Hong. By the end of the book she claims her role in life is to be a writer and that makes everything all right--well, perhaps it would if she knew how to write, but she doesn't. Maybe the novel read better in the original language, but I doubt it. The prose is stale, the imagery is flat and trite, and the switches in narrative voice are jarringly ineffective. This book deserves to have been banned -- not because it is a brave expression of a youthful counter-culture but because it is a dreadfully written piece of self-absorbed egomania. It may be daring in China, but it is not quality literature anywhere.
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