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The Brothers Neville, by Art Neville, Aaron Neville, Charles Neville, Cyril Neville, David Ritz
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In their own words, the Neville Brothers - the first family of New Orleans music -tell their amazing story, from hard times to their phenomenal Grammy-winning success today.
In The Brothers, each Neville alternates telling his story, from their childhood in segregated New Orleans to a growing involvement in crime and drugs to the eventual decision, in the mid-seventies, to start performing and recording together. The Brothers is an inspiring tale of soulful sounds, the importance of heritage, and the powerful bonds of family.
- Sales Rank: #749645 in Books
- Published on: 2000-09-19
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 1.25" w x 6.25" l,
- Binding: Hardcover
- 384 pages
Amazon.com Review
After decades as cult musicians, New Orleans's Neville Brothers spent the '90s solidifying their position as a minor American institution. Torchbearers for both tight, lean funk (Art and Cyril were key players in the profoundly influential '70s combo the Meters) and soul-gripping balladry (Aaron scored a 1966 No. 2 hit with "Tell It Like It Is" before resurfacing as a solo and group star in the late '80s), the Neville Brothers band has found a diverse audience with open ears for its message of rhythm and community.
Before that happened, though, the brothers lived thug life as hard as Tupac Shakur ever did. Open the first two-thirds of this oral history to any random page, and you'll find rhapsodies about musicians as far afield as Professor Longhair, Ellis Marsalis, and Billy Stewart--or something quite a bit darker, like Cyril's remembrance of a near deadly razor fight: "I'm bleeding like a hog.... [T]hey needed 180 stitches to sew my neck together... [and] some Demerol to get me even higher and let me go back to the gig--the same night--where I carried on, singing 'Cold Sweat' and 'Heard It Through the Grapevine' as though the shit had never happened." Vividly told by the Nevilles and smartly organized by Ray Charles and Marvin Gaye biographer David Ritz, this is a resounding look at how these musicians put drugs, violence, and industry troubles behind them to become a veteran touring act and Grammy machine. If not quite the equal of drummer (and fellow New Orleanian) Earl Palmer's Backbeat, this is a fine, often chilling look both back and forward. --Rickey Wright
From Publishers Weekly
This oral history by the members of the Neville Brothers, currently New Orleans's most popular and well-known funk/R&B/rock band, is a must-read for fans and hardcore students of New Orleans music. Coauthor David Ritz, whose critically acclaimed biographies of Marvin Gaye, Ray Charles and Aretha Franklin have established him as an insightful chronicler of difficult musical personalities, here lets each of the four Neville Brothers display "his voice, his musical personality, and his own story." While the brothers' lives and experiences often overlapAespecially when discussing the New Orleans of their youth, their various drug addictions and their run-ins with women, the law and all types of unscrupulous characters from the fringes of the music businessAthe book achieves Ritz's goal of capturing each brother's cadences and "distinct grooves." Art, the oldest, is a natural archivist of New Orleans musical culture. Charles, who spent some time in Mississippi's infamous Angola jail, captures the impact of "the hierarchy of skin color" in New Orleans, New York and Los Angeles. Aaron, whose recording of "Tell It Like It Is" immediately placed him in the pantheon of classic New Orleans singers, is the most sensitive to how their music has changed as the brothers pursued individual, then combined, careers. Cyril, the youngest, is the most articulate about newer political and musical influences on New Orleans. "In Their Own Words"-style biographies have been a staple of music books, usually quickly churned out to meet demands of current fans of disposable pop music, but, while it suffers from some repetition, this volume captures the fascinating lives of crucial players in the New Orleans tradition with candor and style. 16 pages of photos. (Sept.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Driven to crime, drug addiction, and dysfunctional personal relationships by the relentless Southern racism of the 1950s and 1960s, the Neville Brothers survived to rise to their posts as New Orleans's premier musical ambassadors. Coauthor David Ritz, who assisted Aretha Franklin and B.B. King with their autobiographies, masterfully alternates passages from each brother to create a single coherent narrative populated by larger-than-life characters such as their Aunt Cat, Uncle Jolly, and rock'n'roll pioneer-turned-pimp Larry Williams. The brothers' musical careers circled around one another, occasionally intersecting in various combinations, before all four came together first as the Wild Tchoupitoulas and then as the Neville Brothers in 1977. Recently, they have found the personal and spiritual strength to battle their demons but are candid in describing the tensions that threaten to split the group and the deep fraternal bonds that keep them together. Despite the welcome discography, the book is skimpy on musical details, but the storytelling is as rewarding as any fiction.ALloyd Jansen, Stockton-San Joaquin Cty. P.L., CA
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
17 of 18 people found the following review helpful.
Exellent bios
By A Customer
This autobiography is actually a quartet of autobiographies as the essence of each of the four Neville brothers come alive in this book. The non-fiction focuses on the individual personalities, their personal take on music including their solo careers and group performances and recordings. It also Includes their evaluation of the last four decades of music especially in New Orleans and their personal trials and tribulations.
All this marks this non-fiction, as several cuts above the typical wave of rock and roll biographies that seem like perfect flavors of the month. Instead this tome provides a "Tell It Like It Is" feel that fans of the New Orleans sound will enjoy. Anyone who reads THE BROTHERS NEVILLE will seek other works by master music biographer David Ritz (see his works on Ray Charles, Marvin Gaye, and Aretha Franklin, etc.) as this reviewer plans to do.
Harriet Klausner
6 of 6 people found the following review helpful.
Extraordinary!
By Fred Decker
David Ritz has helped many rhythm and blues musicians write their autobiographies, including Ray Charles, B. B. King, Marvin Gaye, Etta James, and Aretha Franklin. The characteristics that these books share is the sense that the subject is writing directly to you as you read, and that the bad times as well as the good times are revealed. If you are a fan of the musician, you feel like you have a better understanding of them once you've read the book Ritz helped them write.
The Neville Brothers' story must have been complicated to organize because there are 4 Neville Brothers, Art, Charles, Aaron and Cyrille. They tell their stories simultaneously, a paragraph or two by one brother and then a paragraph or two by another and so on. The story they tell is fascinating and often horrific! Violence, drug abuse, crazy characters, prison terms and danger fill virtually every page. These are fascinating lives to read about, but I wouldn't want to live them! Aaron and Charles seem to be the most forthcoming and the most sympathetic of the brothers. If you love Neville Brothers' music, you'll want to own this book!
7 of 8 people found the following review helpful.
very complete
By MAXIMILLIAN MUHAMMAD
THe Neville Brothers are a very solid unit.Great talents.this book takes them not only as a Group but also as People with feelings&outlooks.David Ritz does a Great job of doing books.always Interesting reads.this is a very complete book.long overdue on these greats.but better late than never.
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