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The Rural Life, by Verlyn Klinkenborg
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In THE RURAL LIFE, the hugely admired author of "The Last Fine Time" preserves and makes new the sights, smells, sounds, and poetry of country living. Here, Verlyn Klinkenborg reveals the beauty of the American landscape, not from a scenic overlook, but through a screened-in porch or from the window of a pickup driving down an empty highway in the teeth of an approaching storm. Klinkenborg brings reports of rural life back to us, his readers, with writing as vivid as high noon on a summer day or as dreamy as a dusk lit by fireflies. Composed in sections corresponding to the months of the year, The Rural Life highlights the pleasures and hardships, the reveries and stillness, that each season offers to the willing observer. Whether he writes of a small farm in upstate New York, a high pasture deep within the Rocky Mountains, or the bricked edge of a city shuddering in the wake of a "sudden Tuesday," Klinkenborg bears witness to nature's play in language as simple, unsentimental, and direct as life itself.
- Sales Rank: #562757 in Books
- Published on: 2002-12-02
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x .88" w x 6.00" l,
- Binding: Hardcover
- 224 pages
From Publishers Weekly
Klinkenborg's third book (after Making Hay and The Last Fine Time) is a selection of columns originally appearing on the New York Times editorial page under the heading "A Rural Life." They document in vivid detail the daily challenges of life in the country, and on a farm in particular. Though the columns are drawn from seven years of writing, the book is organized into a single year-12 chapters starting in "January" and ending in "December"-and flits from topic to topic, relying on a few short passages of news or descriptions of holidays to mark the passage of time. Likewise, the author never sticks to one place for long, but ranges across the continent of the U.S. and glimpses events in dozens of country towns from Wyoming and New Hampshire to Minnesota and New Mexico. Some episodes are emblematic of contemporary American culture: a high school football game, President Clinton's dedication of Walden Pond, the disquiet in the days following September 11. Others are more intimate passages discussing the author's family and the solace he finds in keeping bees, stacking hay or simply turning earth. Though this highly personal chronicle lacks any narrative arc other than the changing of the seasons and the author's emotional reaction to them, nothing in the prose is accidental, and the deliberate, finely hewn sentences convey, above all else, the seriousness with which Klinkenborg takes the task of watching the world around him. A heady meditation on our relationship to nature, echoing the works of the transcendentalists Thoreau and Emerson, the writing is much closer to poetry than essay.
Copyright 2002 Reed Business Information, Inc.
From Library Journal
Klinkenborg is a member of the editorial board of the New York Times and author of Making Hay. This collection of essays, most of which have previously been published in the NYT and elsewhere, describe his experiences of rural life, from his farm in upstate New York and in the American West. When a book is a compilation of essays, it can often suffer from a lack of continuity or context. While these selections are gathered according to month, they leap from geographic locations without regard to year; in fact, there is no indication of when they were written (except a couple references to 9/11). Klinkenborg explains: "If spring seems to be well advanced on one page and balky and weeks behind on the next...I'm probably describing two very different springs." Because he writes so well, one can endure the bumpy ride. Recommended for public and academic libraries.
--Lee Arnold, Historical Soc. of Pennsylvania, Philadelphia
Copyright 2002 Reed Business Information, Inc.
From Booklist
Most of these essays have been published previously in an eponymous column on the New York Times editorial page. Their collection in one volume achieves a kind of consecration of time, as Klinkenborg chronicles the passing year through changes he observes on his upstate New York farm and during his frequent travels out west. Klinkenborg lingers over the chapters devoted to the summer months, his prose appropriately rich and yearning. No death or rebirth is too small to be marveled over and recorded, but paradoxically, Klinkenborg's careful observation and reflective, uncomplicated language generate their own suspense. Descriptions of the changing light in September, drives through falling snow, and the satisfaction of a rooster's crow at dawn are rendered in joyous and unsentimental prose without a hint of folksiness. Klinkenborg's many fans will cherish this chance to spend a year in his company. For readers new to his work this is an excellent introduction to a fine and inspiring writer. Meredith Parets
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
47 of 50 people found the following review helpful.
A Book for All Seasons
By T. Munson
Verlyn Klinkenborg's latest book has just been released and apparently it is flying out of bookstores everywhere (within 3 weeks of it's publication date, it had already gone into a second printing). Klinkenborg is a member of the editorial board of the New York Times, where, for the past five years, he has been writing a column entitled "The Rural Life." Some of us have been assiduously saving these essays, most no more that 700 words, not to mention the fact that we have been regularly sending them to our relatives and friends who don't read the Times. The fact that some 100 of them are collected into a single volume, ordered by the months of the year, seems almost too good to be true. This beautifully written book is about as close to poetry as prose gets.
The Rural Life is a book about observations, the observations of someone carrying the imprint of a childhood on farms Iowa and California, and now, in middle age, and somewhat to his own surprise, trying his own hand at farming on a small tract of land in upstate New York. One of the things that is so compelling about the book is the author's genuine sense of wonder and pleasure at noticing the small details of life in the natural world. By being quiet and gentle in his interactions, Klinkenborg finds himself receiving a free education where many have found only frustration. True, Klinkenborg has the luxury of not being dependent on farming for his livelihood. However, with so much bankruptcy in the world--financial, political, spiritual-we need somebody to remind us that if we just pay attention to the small change there's enough wealth for everyone.
Richmond, MA 12/20/02
12 of 12 people found the following review helpful.
A very pleasurable read!
By Diane
To read this delightful little book was to be carried into his space and more fully into my own. It made me breathe slower. I know of no higher praise to give. Once, right in the middle of reading, I stopped, called a friend on the phone and asked for a moment to read a passage. She, too, was delighted.
9 of 9 people found the following review helpful.
Klinkenborg's words flow like a river
By Karina Holtz
To my knowledge, no one describes the twelve months of the year more articulately than Klingkenborg. With a month-by-month description, he picks out all the details that he believes piece together a single day, and ultimately, a year. His words are deeply poetic; from the description of the windblown grass to the smell of the morning rain, the script strikes nostalgia into the hearts of all readers. The pure richness of Klinkenborg's book makes The Rural Life come to life with every word.
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