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Pop. 1280, by Jim Thompson
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Nick Corey is a terrible sheriff on purpose. He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women.
Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister?
With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems.
In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.
- Sales Rank: #275856 in Books
- Published on: 2014-08-05
- Released on: 2014-08-05
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .75" w x 5.50" l, .0 pounds
- Binding: Paperback
- 256 pages
Review
WWW.TANGLED-WEB.CO.UK featured a review of POP. 1280 on their site from the 21st March 03. This included a summary of the plot. WRITER'S JOURNAL will be publishing a large feature on Jim Thompson and will be mentioning our new titl
From the Inside Flap
As high sheriff of Potts County, Nick Corey spends most of his time eating, sleeping and avoiding trouble. If only people--especially some troublesome pimps, his foul-tempered wife, and his half-witted brother-in-law--would stop pushing him around. Because when Nick is pushed, he begins to kill . . . or to make others do his killing for him!
About the Author
Jim Thompson was born in Anadarko, Oklahoma. He began writing fiction at a very young age, selling his first story to True Detectivewhen he was only fourteen. Thompson eventually wrote twenty-nine novels, all but three of which were published as paperback originals. Thompson also co-wrote two screenplays (for the Stanley Kubrick films The Killing and Paths of Glory). Several of his novels have been filmed by American and French directors, resulting in classic noir including The Killer Inside Me (1952), After Dark My Sweet(1955), and The Grifters (1963).
Most helpful customer reviews
53 of 53 people found the following review helpful.
This One Creeps Up On You
By Untouchable
It would appear at the start of this book that Nick Corey, the sheriff of the town of Pottsville, is to be the hero of the story. He seems like a gentle, somewhat simple man who believes that inaction is always the most prudent course of action. He feels it "just wouldn't seem right" to have to arrest people, so generally, he doesn't. But slowly it began to dawn on me that this is a Jim Thompson book and there simply aren't heroes in his books.
It turns out that Nick Corey is quite similar to another Jim Thompson character, Lou Ford from The Killer Inside Me. In fact, it's worthwhile reading both books to compare these two characters. They are so different, yet incredibly similar.
The chilling thing about this book lies in how deeply convinced everyone is that Nick is a simpleton who is a harmless, lazy man. But the truth is apparent to the reader how rat-cunning he actually is. The desire to be re-elected to his post as sheriff drives his day-to-day activity and everyone underestimates just how far he'll go to ensure his re-election, myself included.
Apart from the sinister actions of Nick Corey, the story is actually quite amusing, told in the first person in a light and witty tone of voice. Nick manages to put an amusing spin on all aspects of his day-to-day life, most especially the parts in which he's doing absolutely nothing at all.
This is a typical Jim Thompson story. There are no heroes, as a matter of fact; there are few, if any, likable characters in the book. The main character narrates in a style that feels as though he's saying: here are the facts, make of them what you will. It's a chiller rather than a mystery and events took me by surprise more than once.
26 of 26 people found the following review helpful.
One of Thompson's Best
By Westley
POP. 1280 is in the tradition of other great Thompson books, such as THE KILLER INSIDE ME. The protagonist is a seemingly respectable, law-abiding citizen -- small-town Southern sheriff, Nick Corey. He's been pushed around by his wife, brother-in-law, and most other town folks. In the beginning it's clear that Corey has been a very passive sheriff, and his anger at being considered weak is building. The book chronicles how he slowly and dramatically strikes back. Corey's much smarter than most of the town thinks, but he's also probably delusional, which is what ultimately makes this book such a black comic gem. There are more laugh-out loud moments in this book than in most Thompson books. The plot depends on a number of coincidences and stretches of logic, but it's great fun and there are some truly great surprises along the way. Overall, I think it's one of Thompson's most enjoyable and funny books, with some memorable moments and characters.
23 of 23 people found the following review helpful.
So much more than just a crime novel
By High Duke
I wonder if Jim Thompson has ever been declared the master of crime novel fiction? If he hasn't, then he certainly gets my vote! No one writes tales that are more cynical, more twisted or more accurate in their perceptions of human depravity. You can have Chandler, Cain, Ellroy, Hammett and all the rest. Thompson tops them all. The most unique thing about Thompson's novels is that he really has no moral center in any of them. In fact, in this book, he even puts you in the shoes of the despicable main character. The novel concerns a bumbling sheriff in a small Southern town, who seems to be a spineless coward and a lazy lay-about. All is not as it seems however, as the sheriff proves to be much more intelligent than anyone would dream of giving him credit for. Thompson mined similar terrain in his book 'The Killer inside Me', but this novel actually tops that one in terms of nastiness and its vitriolic view of human nature. There are a few elements in Thompson's book that strike me as unique. One is his pessimistic misanthropy which takes things a step further from the previous generations of crime novelists. There are no private investigators with a heart of gold here. Another is his dismantling of the idea of America's heartland as being this place of good souls and kind neighbourliness. Thompson was from Oklahoma and, as he knows the surrounding areas intimately, his novels seem to take place in the American South and Southwest. He exposes it as a place that's even MORE corrupt than in the big cities. Chandler, Cain and a lot of other writers usually focused on places like New York and L.A. as the pillars of American decadence. Thompson points out that the WHOLE of America is a swirling cesspool of self-interested swindlers and the only thing that varies is scale. The Sheriff in the novel carefully depicts the town as a stifling, rabid and, dare I say, neo-Facist community, where any behaviour outside the norm is abhorred and subject to the townfolks' vindictive whims. The Sheriff sees all this and schemes and plots ways to maintain his 'easy' lifestyle. The ironic thing is that all the running around and strees seem like MORE work than maybe just making an honest living. What seems most universal about the book is that the main protagonists struggle to maintain his position atop the heap, no matter how small and useless it is, is a reflection of what goes on all over the world, every day, for as long as people have been around. Admittedly, it's bleak, but it's extremely fascinating. One reality is that people will do anything and everything when power and money is involved. This is, by far, Thompson's most sinister character in any of his books. The fact that the Sheriff gets away with what he does, under the guise of sub-civility, is an idictment of the people that we are expected to most trust and respect in this world. This book is probably Thompson's finest work, even though 'The Killer Inside Me' is far more popular. He encapsulates his feelings towards the world so vividly here that I couldn't put the book down. I finished it in two days it was so good. It amazes me how he can capture the black heart of the world, the root of what makes everything function, in such a compact form. Bravo Jimmy! You hit the nail right on the head. Oh, and I love the film noir-ish book covers on all of Thompson's books. They're just beautiful.
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