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You Are Here: A Memoir of Arrival, by Wesley Gibson
PDF Ebook You Are Here: A Memoir of Arrival, by Wesley Gibson
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A wonderfully original tale of the disintegration and mutation of an apparently ordinary American family.--Alison Lurie.
- Sales Rank: #3370847 in Books
- Published on: 2004-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .59" w x 5.51" l, .60 pounds
- Binding: Paperback
- 224 pages
- ISBN13: 9780316740845
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
When 30-something novelist Gibson (Shelter) moves to New York from Virginia, he plans to establish himself as a writer, get a day job and enjoy life in the city he's considered "the sunken treasure I'd been diving for my whole life." Instead, as this enigmatic memoir chronicles, he finds a strangely quiet apartment share, struggles to secure a menial job and rarely touches his computer. He barely sees his roommate, John, "who was as pale and waxy and elongated as a candle," whom he meets through a gay roommate service. But one night, Gibson is "bolted awake" by the sound of John coughing: "It sounded like he was being clawed to death from the inside out." Most of the book-which, although it gives no specific time references, probably takes place within the past 10 years-focuses on Gibson's attempts to help the seriously ill John (he has lung cancer). Using sharp, often witty language, Gibson also expounds on his job at Telesessions, where he facilitates conference calls for doctors; his childhood in the homophobic South; and frequent phone conversations with his friend Jo Ann, who lives in upstate New York. Though Gibson's story has insightful elements, it bogs down occasionally, as when Gibson details his efforts to rescue an obese neighbor from his bathroom. Gibson eventually lands a position teaching writing and searches for a new place to live, relieved to move on, yet aware that sometimes "friends were family, and family were strangers, and you might find yourself helping someone... because you'd been yoked to them by accidents of commerce."
Copyright 2003 Reed Business Information, Inc.
From Booklist
The reality of living in New York is hardly the lifestyle viewed on Friends or Sex in the City. Case in point is Gibson, who shares his version of New York life in a funny and moving memoir about his move to the Big Apple. Once there, he is the typical starving artist--eking out an impoverished existence, struggling through a variety of meaningless jobs while trying to make it as a writer. Through a series of hilarious anecdotes, we learn about what it's like to set up a life in a new city--the gay roommate service, the search for employment, and the constant rationalization that this move was the right thing to do. His new roommate, John, has an unacknowledged illness and a strange past. Gibson's best friend and sole consolation (besides alcohol and tobacco) lives 200 miles away, but her phone conversations and occasional visits make his life a little more bearable. Gibson's witty stories will ring true to anyone who has struggled to make it in any new place, large or small. Michael Spinella
Copyright © American Library Association. All rights reserved
Review
"One young man's hilarious, brutal, heartrending attempt to live the writer's life in New York City..." -- -Jill Ciment, author of Half a Life
Most helpful customer reviews
8 of 9 people found the following review helpful.
Place This Book High On Your Must-Read List!
By Grady Harp
Wesley Gibson is an extraordinarily fine writer. YOUR ARE HERE: A Memoir of Arrival is that rare breed of book that combines autobiographical information filtered through a storyteller's gift of fiction that enhances the presence of the written word. And Gibson is such a finely tuned wordsmith that he is able to, within the space of one page, make the reader howl with laughter and then feel the internalized, longstanding turmoil that makes his characters so vital.
Raised in the South (Richmond, Virginia) with all of its odd family values, social codes, religiosity, and homophobia, Gibson concentrates his memoir on his transplantation to New York City,
the "HERE" of the title. Quite different from the end-of-the-rainbow aura that Gotham has for most writers and readers and artists and dreamers and, well, all of us, Gibson peels the layers off the city that never sleeps, letting us know just how difficult it is to exist there. His many jobs, his apartment hunting through the gay roommating service, his over the edge hypochondria, his work as a telemarketer, his endless attempts to be the writer he knows he can be... all of these themes are populated with curious people (few characters drawn in contemporary fiction are as hilarious-yet tragic as the morbidly obese Mr. McNally he has to rescue from the toilet seat). Curious, and yet tragic also: John his male nurse roommate whose horrendous cough ultimately is diagnosed as lung cancer, his other roommate Alan who is seen only briefly between the sounds of tricks, joyful Jo Ann his dearest friend, his own PWA dates from whom he attracts scabies, and the rest of the co-players in this novel.
Gibson peppers his memoir with many insights on being a gay man.
"To be gay is to live, with a certain hesitancy, however slight, out there in the world. Even when it only flickers through you, you can't help wondering how the day thing is going to play itself out with your sister's new husband, in that class you're teaching, at some stupid party. It's born from the understanding that the simple act of walking down the street could be enough to instigate the day of your death. etc" "I'd never been much of a theater queen, but I had my own longings of a literary kind, and as far as I knew, no amusing caricatures of me had ever appeared in the New York Review of Books, my Broadway. That was the problem with bars. Everyone's dreams seem to leak and get all over the floor." "In the mirror , I was still recognizably human; but the icy and amphibious blood of a New Yorker trying to survive was beginning to course through my veins." And "It seemed like a fitting inheritance for a world where friends were family, and family were strangers, and you might find yourself helping someone else to die because you'd been yoked to them by accidents of commerce and the mysterious trick of your own sexual nature and some fumbling attempt at compassion."
As usual, excerpts chosen from an excellent novel serve as the best criticism and notice of a writer's genius. Reading YOU ARE HERE is a joy and clearly one of those I-can't-put-it-down books that come around all too seldom. Highly recommended!
7 of 8 people found the following review helpful.
(4.5)A work of staggering genius
By Luan Gaines
Wesley Gibson is determined to get a foothold in New York City and escape the small town mentality of his southern roots. He jumps at an opportunity to rent an available room in an apartment where there are two roommates who never seem to materialize. The place boasts a plaid living room suite, tiny wizards made from crystals perched in groups on end tables and an answering machine with sixty messages and counting. So begins the life of a gay man in the city of his dreams.
Gibson reads like David Eggars, only I can track this writer's logic without losing my mind. At thirty-six, Gibson is an astute observer of humanity, starting with his own unnerving penchant for hypochondria. Faced with the unsolvable mystery of the ghost-roommates, John and Alan, Wesley is thrust into an emotional vacuum, struggling to find a job, depending on his also-neurotic friend Jo Ann to stabilize the waves of intermittent hysteria that overtake his best intentions. When Gibson finally does run across the primary roommate... well, that's a story you'll have to find out for yourself.
With shattering wit, Gibson shares life in New York City, his fragmented psyche, scrambling for work, living with a roommate in denial. New York is purposefully seductive: great crowds of strangers, anonymity and the gay social scene. Gibson writes with an abundance of humor; but when he grapples with a life and death situation, he has the necessary gravitas. This author's particular skill is that he is able to wax hysterical while his rowboat takes on water, a testament to his remarkable spirit and delightful personality.
Wesley addresses his youth and southern homophobia in the 70's with somber honesty. There, like vampires, gays only come out at night and in accepted venues; as young men bloom into manhood, their sexual antennae identify those who deviate from the norm. As for living gay in a straight world, "the simple act of walking down the street could be enough to instigate the day of your death."
Gibson is remarkably generous, with an abundance of imperfections, opinions and a serendipitous imagination, his view of the world penetrating and precise. For every humorous anecdote, there is one of reflection, unflinching in the glare of reality. This modern-day-gay man lives his days at full throttle or crushed into hypochondriac immobility, with an uncanny charm that embraces the reader as a bosom buddy. Gibson may not live the macho writer's life of an O'Hara or a Steinbeck, but he certainly speaks the most important language of all, the language of the human heart. Luan Gaines/2004.
4 of 4 people found the following review helpful.
A True and Funny Memoir
By Eric Anderson
For many young gay men who live in disparate communities around the country, New York City is the golden promise land that they strive to merge into once age and finances allow. The tale of an obscure individual arriving in the city with nothing and achieving fame beyond his wildest dreams has become an American myth. Wesley Gibson has written his own tale of travelling to the famous city where he hopes to establish himself as a writer. He lives under the threat that if he doesn't make it he will have to return to his hometown as a failure.
He casts the physical landscape of the city under the terms of a gay sensibility. For instance, he remarks: "Central Park is Martha, as in George and Martha, braying at you, `I do not bray.' It's too much of muchness." In this redefinition of the city he marks it as his own territory. It's also a clever way for the author to introduce his environment as a character itself. While the tone of the book remains that of a memoir, the people Gibson encounters are transformed into eccentric characters that stand alongside the colourful caricatures of Dickens' fictional world. In fact by the end he remarks that he feels a growing kinship to one of Dickens' greatest tragic females. This fictional cast to his life is borne out of a self-consciousness playfulness that comes through in his thought process, usually spurred on by morbid premonitions of doom. After hardly speaking to his new roommate he is on the phone to a close friend fearing that he's moved in with an axe murderer. Dramatic events are conceived in his mind and then the reality of the city asserts itself as stranger than anything this writer could have imagined.
Gibson describes the typical life of a writer, where little actual writing is accomplished, and a mass of experience is acquired. To make ends meet he tries different jobs and finds a room through a gay housing agency. These lead to hilarious encounters which highlight the absurdities of life like in the best writing of David Sedaris. However, much of the book is also concerned with the serious problems Gibson encounters such as depression, AIDS and isolation. He finds that having abandoned the threatening homophobic environment of his home in Virginia, the liberal big city does little to comfort this gay man. His first potential romantic encounter turns out to be a hustler looking for money and a place to crash for the night. A potential roommate with a large collection of extremely anatomically correct GI Joe figures proclaims that Gibson isn't a normal gay man. This lingering resentment of being outcast for not conforming to a certain image of a gay man haunts the memoir. It leads me to believe that Gibson has a much bigger fictional work ahead of him.
Nevertheless, YOU ARE HERE remains a funny, thoughtful account that many people will no doubt identify with for it's witty observations of cosmopolitan life.
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