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~~ Download PDF Case Histories: A Novel, by Kate Atkinson

Download PDF Case Histories: A Novel, by Kate Atkinson

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Case Histories: A Novel, by Kate Atkinson

Case Histories: A Novel, by Kate Atkinson



Case Histories: A Novel, by Kate Atkinson

Download PDF Case Histories: A Novel, by Kate Atkinson

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Case Histories: A Novel, by Kate Atkinson

A triumphant new novel from award-winner Kate Atkinson: a breathtaking story of families divided, love lost and found, and the mysteries of fate.

Case One: Olivia Land, youngest and most beloved of the Land girls, goes missing in the night and is never seen again. Thirty years later, two of her surviving sisters unearth a shocking clue to Olivias disappearance among the clutter of their childhood home. . .

Case Two: Theo delights in his daughter Lauras wit, effortless beauty, and selfless love. But her first day as an associate in his law firm is also the day when Theos world turns upside down. . .

Case Three: Michelle looks around one day and finds herself trapped in a hell of her own making. A very needy baby and a very demanding husband make her every waking moment a reminder that somewhere, somehow, shed made a grave mistake and would spend the rest of her life paying for it--until a fit of rage creates a grisly, bloody escape.

As Private Detective Jackson Brodie investigates all three cases, startling connections and discoveries emerge. Inextricably caught up in his clients grief, joy, and desire, Jackson finds their unshakable need for resolution very much like his own.

Kate Atkinsons celebrated talent makes for a novel that positively sparkles with surprise, comedy, tragedy, and constant, page-turning delight.

  • Sales Rank: #278359 in Books
  • Brand: Little, Brown and Company
  • Published on: 2004-11-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.13" w x 6.25" l,
  • Binding: Hardcover
  • 320 pages
Features
  • Book

From Publishers Weekly
In this ambitious fourth novel from Whitbread winner Atkinson (Behind the Scenes at the Museum), private detective Jackson Brodie—ex-cop, ex-husband and weekend dad—takes on three cases involving past crimes that occurred in and around London. The first case introduces two middle-aged sisters who, after the death of their vile, distant father, look again into the disappearance of their beloved sister Olivia, last seen at three years old, while they were camping under the stars during an oppressive heat wave. A retired lawyer who lives only on the fumes of possible justice next enlists Jackson's aid in solving the brutal killing of his grown daughter 10 years earlier. In the third dog-eared case file, the sibling of an infamous ax-bludgeoner seeks a reunion with her niece, who as a baby was a witness to murder. Jackson's reluctant persistence heats up these cold cases and by happenstance leads him to reassess his own painful history. The humility of the extraordinary, unabashed characters is skillfully revealed with humor and surprise. Atkinson contrasts the inevitable results of family dysfunction with random fate, gracefully weaving the three stories into a denouement that taps into collective wishful thinking and suggests that warmth and safety may be found in the aftermath of blood and abandonment. Atkinson's meaty, satisfying prose will attract many eager readers.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Critics on the other side of the Atlantic love Atkinson; Behind the Scenes at the Museum won the Whitbread Prize. To Americans’ delight, Case Histories has made the great leap. The novel is not your typical crime genre fare (that is why we placed it within our literary reviews); it’s also a series of family sagas with strong moral frameworks. Atkinson delineates each character with great empathy and depth, revealing his or her motivations, flaws, and healing. She sprinkles her trademark postmodern literary references throughout the book, but this time she’s toned them down, a sign of maturity. The four alternating points of view and framing device create a somewhat labyrinthine situation, and careful readers may pick up clues before they’re supposed to. Minor flaws, really; Case Histories is that "unisex, hard-to-put-down" kind of book (Chicago Sun-Times).

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
*Starred Review* Like Donna Tartt in The Little Friend (2002), 1995 Whitbread winner Atkinson (Behind the Scenes at the Museum) here combines a compelling narrative drive with sophisticated psychological portraits and telling detail. Artfully exploiting the conventions of the detective novel while also sending them up, Atkinson gives us Jackson Brodie, the world's most empathic private eye, who seemingly channels his clients' grief while attempting to provide closure. Addicted to the plaintive songs of female country-and-western singers and heartsick over the breakup of his marriage and his separation from his daughter, Jackson becomes friend and confidant to the people who seek his aid. One of his cases involves the florid, bickering Land sisters, who, after cleaning out their father's house upon his death, are stunned to find the bedraggled blue bunny that was their sister's most prized possession before she went missing 30 years ago. Another case concerns lonely, obese Theo, who, out of concern for his daughter's safety, insisted that she work in his law office rather than as a bartender, only to find that he put her directly in harm's way. As Jackson methodically tracks down decades-old clues, Atkinson employs omniscient narration to step in and out of crime scenes both past and present. Playful humor, an impressive technique, and an offbeat detective with a penchant for weeping are the most obvious pleasures of a page-turner that succeeds in being both brainy and thoroughly entertaining. Joanne Wilkinson
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

166 of 169 people found the following review helpful.
Thoroughly enjoyable.
By Maggie Smith
This is my first venture at Atkinson, and I have to say she's a delightful writer to read. She really knows how to hook you.

The story opens with the accounts of three crimes from the perspectives of those who were there at the time. Then, in the present, we meet private investigator Jackson Brodie (a former police inspector) who is dealing with his painful divorce, serious dental problems, and his ever-maturing eight-year-old daughter. Jackson's perspective guides the rest of the narrative through new leads in the three cases, and it isn't long before all three cases are entwined via their connection with Jackson.

While this sounds like a stock mystery novel or something straight off a British crime drama, Atkinson's style offers a little more than the standard mystery fare. She leaps one perspective to another with admirable grace, always managing to keep the many characters and their intertwining narratives totally distinct and completely engrossing.

My only qualms with the story had to do with the plot itself: it's pretty easy to pick up the clues Atkinson drops, and thus, figure out the conclusion well before the ending; and as for the ending--it wasn't as satisfying as it could have been. But her writing is so fluid, by turns funny and poingant, that I couldn't put it down.

126 of 130 people found the following review helpful.
Delightful novel, filled with irony and mordant wit.
By Mary Whipple
Jackson Brodie, a private detective, is investigating three old cases, which soon begin to converge and overlap. Three-year-old Olivia Land disappeared without a trace thirty-five years ago while sleeping outside with one of her sisters, two of whom have hired Jackson to find out what happened. Theo Wyre has hired him to investigate the death of his daughter Laura Wyre, who was killed by a maniac ten years before while working in her father's office. Shirley Morrison, Jackson's third client, is trying to locate her sister and her niece. Her sister Michelle, living with her husband and young daughter on an isolated farm, has vanished from Shirley's life, and after twenty-five years, Shirley wants to find her.

Atkinson's suspenseful and dramatic cases pique the reader's interest in the characters and their lives, especially the female characters. Most have faced traumatic events and suffered through less than ideal childhoods, which unfold inexorably as the cases become more complex. Not a linear narrative, the novel focuses on different characters in successive chapters, moving back and forth in time to provide background and to set up the overlaps which eventually occur. The characters are sometimes bizarre, baffling, and even unsympathetic, but they are always memorable for their behavior and their justifications for it.

Filled with ironies and noir humor, the novel also reveals Atkinson's astute observation of social interactions, as she skewers some aspects of her characters' lives while also creating sympathy for them. While the first two case histories-that of the missing Olivia and the murdered Laura-are genuinely sad and regarded overall as tragedies, the story of Michelle Fletcher, and peripherally, her sister Shirley, is much darker. Neither Michelle nor Shirley elicits much empathy after the opening chapter, but the occasional interjection of their story line stirs up the action, changes the pace, and keeps the novel from being overly melodramatic. Atkinson's eventual revelations about Michelle's life provide Atkinson with some of her best opportunities for social satire and wit.

Readers will delight in Atkinson's characterizations, and the ironies are priceless, with the biggest noir twists saved for last. Though the cases are, in fact, all "solved" by Jackson, they are not really resolved. At least five important "loose ends" regarding the perpetrators of these murders and disappearances remain, showing that even murder cases are not as "cut and dried" as one might expect. (4.5 stars) Mary Whipple

102 of 108 people found the following review helpful.
Very Enjoyable, Well-Written Character Studies in Mystery Format
By Miami Reader
The Washington Post review has it right. You will like this novel if:
--You enjoy strikingly crafted, humorous phrases that make you applaud the writer's insights regarding the human condition.
--You like stories written in non-linear fashion, where points of view and major characters change from one chapter to the next, incidents are not always revealed in the order in which they occur, new characters suddenly enter the story for no apparent reason, and you get to use your smarts to deduce what is happening. (Fear not; all is eventually and clearly explained.)
--Several engrossing mysterious threads keep you on edge to find out what the explanations are going to be.
--"Howtodealwithit"--conflicted, troubled people trying to straighten out their lives--is as interesting to you as whodunit.

You will not like this novel if:
--You want a slam-bang action thriller with little or no introspection by the characters.
--You're turned off by major changes in story line and characters from one chapter to the next.
--You'd rather not read about incest, (occasional) casual sex, and dysfunctional families with parents who seem incapable of giving love.
--You strongly object to unlikely coincidences that tie plot elements together.

Stephen King rated this as the best novel of the year in ENTERTAINMENT WEEKLY. I couldn't put it down. This was my first Kate Atkinson novel, and I'm going to read all of her others.

Addendum to review: Sorry to report that I did not enjoy Atkinson's earlier novels; found them tedious, difficult, slow, hard to relate to. Think twice before buying any of them.

See all 611 customer reviews...

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