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Savage Night, by Jim Thompson
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Jake Winroy had no looks, no education, and little else before he'd worked his way to the top of a million-dollar-a-month horse-betting ring. But when the state's latched onto his game, the feds take a bite and the lawyer fees eat away at the rest, all Jake's got left is the bottle and a beautiful wife whose every word is ugly.
Jake's to be the top witness in a major case against organized crime--if he hasn't already kicked the bucket before the trial has its day in court. But an enigmatic mafioso known only as The Man has a plan to make dead certain Jake never gets the chance to testify.
The Man's hired Charlie "Little" Bigger, a hit man barely five feet tall, to infiltrate the Winroy residence as a tenant and murder Winroy in cold blood. To Little, it seems like the easiest job on Earth. Until he lays eyes on the beautiful and dangerous Fay and the Winroy's young housemaid Ruth, a woman as sensual as she is vulnerable. SAVAGE NIGHT is Jim Thompson at his most unpredictable and deeply suspenseful, in a claustrophobic thriller of one man's fractured mind.
- Sales Rank: #894287 in Books
- Brand: Thompson, Jim/ Winegardner, Mark (FRW)
- Published on: 2014-08-05
- Released on: 2014-08-05
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .75" w x 5.50" l, .0 pounds
- Binding: Paperback
- 256 pages
Review
"The best suspense writer going, bar none."―The New York Times
"My favorite crime novelist-often imitated but never duplicated."―Stephen King
"If Raymond Chandler, Dashiell Hammett and Cornell Woolrich would have joined together in some ungodly union and produced a literary offspring, Jim Thompson would be it...His work...casts a dazzling light on the human condition."―Washington Post
"Like Clint Eastwood's pictures it's the stuff for rednecks, truckers, failures, psychopaths and professors ... one of the finest American writers and the most frightening, [Thompson] is on best terms with the devil. Read Jim Thompson and take a tour of hell."―The New Republic
"The master of the American groin-kick novel."―Vanity Fair
"The most hard-boiled of all the American writers of crime fiction."―Chicago Tribune
About the Author
Jim Thompson was born in Anadarko, Oklahoma. He began writing fiction at a very young age, selling his first story to True Detectivewhen he was only fourteen. Thompson eventually wrote twenty-nine novels, all but three of which were published as paperback originals. Thompson also co-wrote two screenplays (for the Stanley Kubrick films The Killing and Paths of Glory). Several of his novels have been filmed by American and French directors, resulting in classic noir including The Killer Inside Me (1952), After Dark My Sweet(1955), and The Grifters (1963).
Most helpful customer reviews
3 of 3 people found the following review helpful.
Vintage Jim Thompson
By Dave Wilde
Jim Thompson has a well-deserved reputation as one of the greatest of all the pulp writers. He wrote thirty novels in the late 1940’s and the 1950’s, including The Killer Inside Me, Savage Night, Hell of A Woman, The Getaway, and The Grifters. The Getaway was a huge box office hit in 1972 starring Steve McQueen and Ali McGraw. Its 1994 remake was also a hit, starring Baldwin and Basinger. The Grifters also became a big hit in the movies in 1990, produced by Scorsese and starring Cusack, Huston, and Bening. Donald Westlake wrote the screenplay.
But watching a movie based on one of Thompson’s books is not the same as reading the original material. Although hundreds of writers have tried to ape his style, there was only one Jim Thompson. His tales are sordid. They are filled with psychopaths and grifters. His heroes are anti-heroes. They are not just criminals, but often mean, violent, sadistic men. Also, his books are filled with a sardonic sense of humor that often leaves the reader laughing out loud.
Savage Night is a tale about a pint-sized contract killer who has been brought out of Arizona retirement to do one last job for “the Man” and Thompson never gives “the Man” a name. He is just a shadowy figure, representing mobster chieftains. It begins with “Little Biggers” arriving in New York after “three days of babes and booze while [he] waited to see the Man.” He then takes the railroad out to some poh-dunk dead-end town called Peardale where Jake Hinson is living – Jake Winroy who is about to testify at a trial that will bring down the gambling interests in the city. He explains that the farther he got into Peardale, the less he liked it. “The whole place had a kind of decayed, dying-on-the-vine appearance.” It was ninety-five miles from the city and nothing there but a small teacher’s college. “There was something sad about it, something that reminded [him] of bald-headed men who comb their side hair across the top.”
Because he looked young for his age, Biggers is to enroll at the college and take a room in the Winroy house and wait for his instructions to off Winroy. He uses the name Carl Bigelow since it is close enough to his real name- Charles Bigger- that he can remember it. Bigger is an odd hero for a book- he is short. He wears elevator shoes. He has false teeth and is barely healthy enough to get around without losing his lunch.
When he gets to the Winroy house, he notes the brown grass and the paint-peeled fence, but then his eyes came up and looked across the street and saw Fay, Jake’s wife, who had a reputation as quite a “stepper.” “She had one of those husky well-bred voices.” “One look at that frame of hers, and you knew the kind of breeding she’d had: straight out of Beautyrest by box-springs. One look at her eyes, and you knew she could call you more dirty words than you’d find in a mile of privies.”
But Biggers knows what she is. And, he ain’t falling for her. As he pulls her by the hair up out of the tub, “She stood there on the bathmat, fighting with everything she had to fight with - - offering it all to me. And she saw it wasn’t enough. She knew it before I knew it myself.” And, after that scene, he’d broken the ice but good and she knew who he was now if she hadn’t had a damned good idea before and she knew why he was in Peardale and it was okay with her. “She was stacked. She was pretty. She was just about everything you could want in a woman – as long as you were on top or you looked like you might be on top.”
In the hands of a lesser author, this book would be slow as Biggers bides his time until he does the hit, but Thompson fills that time up with an odd assortment of characters, including a one-legged girl who Biggers takes advantage of, the calculating femme fatale of Fay, the old peculiar bakery manager who must be in on the deal to act so queer (Mr. Kendall), and the sheriff who won’t let up on Biggers. The time is filled with exploiting cripples, plotting to kill his landlord, putting out matches on a woman’s chest, sticking knives in his associates’ necks, and other beastly acts. All the while, Biggers puts on an act as if he were the prince of innocence himself.
One of the oddest episodes is his dalliance with Ruthie, she of he one-legged fame. When she arrived, one good look is all he got, but what he saw interested him. “Maybe it wouldn’t interest you, but it did me.” She had on “an old muckledung-colored coat – the way it was screaming Sears-Roebuck they should have paid her to wear it.” He observes that “the swinging around on that crutch hadn’t done her rear end any harm. If you saw it by itself, you might have thought it belonged to a Shetland pony.”
The ending is Thompson-esque in its strangeness and uniqueness as blood and mental illness take over. This is prototypical nihilism and is found throughout the book such as a scene where Biggers is angry and elbows through a crowd getting on a subway car, noting he had elbowed a woman holding a baby good and wondering if the baby would be better off under the wheels of the train than going through the crap of life.
This is vintage Thompson and it is noir like nothing else you have ever read. Enjoy.
1 of 1 people found the following review helpful.
Best of Thompson's Pulp Fiction, Guaranteed!
By s bland
Thompson's best yet. What a trip! I've read most of his "Pulp Fiction", and Savage Night beats them all. With a 5 foot tall womanizing hit man who for some strange reason the ladies all want, and a sexy lady with a baby foot, this one has it all. Violent, sexy, perverted, and fun! You won't believe the end, and as usual the atmosphere and story line is the best in noir.
0 of 0 people found the following review helpful.
One of Jim Thompson's better books
By J. Keller
Even the biggest Jim Thompson fans will say his novels are uneven. At the high end, I'm into The Killer Inside Me, Pop. 1280, and The Getaway.
I began Savage Night and took the ride right along with the narrator. After a fine reading experience, I put this title up there with his top-notch work.
If, like myself you're into Thompson but have inexplicably never looked into Savage Night, I can nearly guarantee you'll enjoy this work.
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