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From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth-the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains- the Renaissance.
- Sales Rank: #55101 in Books
- Color: Multicolor
- Brand: Manchester, William
- Published on: 1993-06-01
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .88" w x 5.50" l, .65 pounds
- Binding: Paperback
- 322 pages
- Medieval
- Renaissance
Amazon.com Review
It speaks to the failure of medieval Europe, writes popular historian William Manchester, that "in the year 1500, after a thousand years of neglect, the roads built by the Romans were still the best on the continent." European powers were so absorbed in destroying each other and in suppressing peasant revolts and religious reform that they never quite got around to realizing the possibilities of contemporary innovations in public health, civil engineering, and other peaceful pursuits. Instead, they waged war in faraway lands, created and lost fortunes, and squandered millions of lives. For all the wastefulness of medieval societies, however, Manchester notes, the era created the foundation for the extraordinary creative explosion of the Renaissance. Drawing on a cast of characters numbering in the hundreds, Manchester does a solid job of reconstructing the medieval world, although some scholars may disagree with his interpretations.
From Publishers Weekly
Manchester's marvelously vivid popular history humanizes the tumultuous span from the Dark Ages to the Renaissance. A one-week PW bestseller in cloth. Illustrations.
Copyright 1993 Reed Business Information, Inc.
From School Library Journal
YA-- An absorbing and readable history, beginning with the collapse of Rome and ending with the redawning of intellectual pursuits in the Renaissance. Manchester's vivid descriptions of the misery and ignorance of the Middle Ages are the background for the second and main section of his book, which he calls the "shattering,"--the collapse of essentially unified thought and the rebirth of the pursuit of knowledge. His last section focuses on Magellan and his historic voyage, described as a primary event in contributing to Western man's changing view of the world. The story of his efforts to obtain backing for his venture is engrossing; the difficulties of the voyage are made real enough to feel.
- Philip D. Winters, Thomas Jefferson Sci-Tech, Fairfax County, VA
Copyright 1993 Reed Business Information, Inc.
Most helpful customer reviews
166 of 183 people found the following review helpful.
A book lit only by fame
By Kerry Walters
I read this book when it first appeared, and have since carried pleasant if rather vague memories of it. Rereading it some 16 years later, I'm horrified by how bad it is in places, and wonder what in the world I saw in it the first time around.
The opening section entitled "The Medieval Mind" is especially, embarrassingly, bad. In it, Manchester reduces an entire millennium to a quick and spotty sketch (this must account in part for the vagueness of my memories) which is full of over-generalizations (the medieval world wasn't a bona fide "civilization"), simplifications ("there was no room in the medieval mind for doubt; the possibility of skepticism simply did not exist"), and absolute howlers (medieval peasants went naked in the summer; the medieval mind had no spatial and temporal awareness or self-consciousness).
Less bad--but still bad--are the succeeding two sections, both much longer than the opening one on the medieval period (this, despite the book's subtitle). One of the sections is on the Renaissance and Reformation, the other focuses on Magellan and the European "discovery" of the New World (which Manchester tells us was the germ from which the entire book grew). There are some interesting biographical vignettes in the Renaissance section that probably account for my pleasant memories--Savonarola, da Vinci, and Erasmus in particular--but there's no real effort on Manchester's part to wrestle with the meaning of the new humanism that fueled the Renaissance or to explore the intricacies of the Reform revolt against Rome. Instead, he falls back on tired stereotypes; his long account of Martin Luther is especially hackneyed. Manchester's concluding account of Magellan's voyage, with its brief nod to Renaissance astronomy and the science of navigation, is enthusiastic and lively, and is probably the best--or least bad--part of the book. But again, it's sketchy and breathless.
So what accounts for the remarkable popularity of this book? Its quality should've landed it on the out-of-print shelve long ago. My only guess is that Manchester's well-deserved fame for his contemporaneous histories (WWII, Winston Churchill, Douglas MacArthur) bestows a borrowed and undeserved aura of authority on this one. But authors (and their agents and editors) really ought to know when they're in over their heads, and refrain from writing bad copy just because they know they can get it published.
0 of 0 people found the following review helpful.
Five Stars
By john peri
great item
0 of 1 people found the following review helpful.
William Manchester, a great historian, a great writer...even if you thought you hated history...read this!
By Darlene J. Long
Great book! Should be required reading for every college student or anyone who wants greater clarity about the medieval mind as preparation in understanding the times before the Renaissance. Have given many copies of this book to others....essential history! William Manchester at his best...makes what could be a dusty period, vibrant with color and gritty explanations of the complete political power of the Catholic Church.
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