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Leaving Mother Lake: A Girlhood at the Edge of the World, by Yang Erche Namu, Christine Mathieu
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- The hardcover edition of LEAVING MOTHER LAKE debuted at #3 on the San Francisco Chronicle's bestseller list.- A revelation of a culture virtually unknown in the West, a contemporary society in which women enjoy true sexual and economic freedom.- A huge international success, with rights sold in England, Finland, Germany, Holland, Hungary, Israel, Italy, Japan, Spain, and Sweden.- Hardcover ISBN: 0-316-12471-0
- Sales Rank: #658553 in Books
- Published on: 2004-02-10
- Fabric type: Paperback
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .88" w x 5.50" l, .62 pounds
- Binding: Paperback
- 320 pages
From Publishers Weekly
With the help of anthropologist Mathieu, singer Namu describes growing up on the Chinese-Tibetan border in Moso country, "the Country of the Daughters." Detailing her late-1960s, early-'70s upbringing-she was known in her village as "the girl who was given back three times"-she sheds light on the unique matrilineal Moso culture, with its "walking marriages," where women take as many lovers as they want and the men continue to reside in their mothers' homes. The interweaving of the customs of this remote part of China-where "a man and a woman may sing to each other from the peaks of two mountains, but they will need to carry food for three days if they want to meet halfway"-with Namu's determination to have a worldly life despite her family's poverty and her own inability to read and write lend this tale poignancy. Most readers will find themselves rooting for Namu as she runs away from home, travels across the country and successfully auditions for a place in the Shanghai Music Conservatory at age 16. There, she learns to read and write and launches her international singing career. For those who doubt that a land could exist where girls are favored over boys and marriage is viewed with distrust, Mathieu appends an afterword about her research on the Moso and the changes that have taken place, including universal education. While not a stylistic masterpiece, the book brims with vivid descriptions of a fascinating culture. 1 b&w photo, 2 maps.
Copyright 2002 Reed Business Information, Inc.
From School Library Journal
Adult/High School-In a remote part of China near the Himalayas live the Moso people. Except for a couple of somewhat humorous attempts at assimilation by the revolutionaries, their traditions have remained unchanged. Mothers head the household, and adult children are expected to live with them. Marriage is considered impractical and unnatural. Namu was born in the 1960s to a woman who, in an act of rebellion, started her own house. Growing up, Namu displayed a similar independent streak. When she was discovered by Chinese officials looking for talented singers of ethnic songs, there was no stopping her from engaging with the outside world. Upon admit-tance into the prestigious Shanghai Music Conservatory, Namu asked for Han Chinese (the ethnic majority) roommates. Her choice paid off in improved language skills, although she had to deal with the nastiness of a particularly prejudiced individual. This memoir vividly conveys the bitter cold of mountain nights and strained relationships, along with the warmth of hearth, hospitality, and deep understanding. A fascinating glimpse at a unique culture and the melding of two worlds in a journey to adulthood.
Sheila Shoup, Fairfax County Public Library, VA
Copyright 2003 Reed Business Information, Inc.
From Booklist
Namu grew up in Moso country in south China, in a community where people usually live their entire lives in the same village they are born in. In Moso society, women own the houses and are heads of the households. Their adult children take lovers and have children of their own, but they do not leave their mother's house--except for Namu's mother, Latso, who, after almost joining a group of Chinese Communists, instead settled in a nearby village and took a series of lovers. Namu, her third child, was as willful as her mother. As a teen, Namu left home to tour with a musical troupe. Namu and her troupe won contests all over China, but when she returned to Moso country again, she found her village too small and once again made plans to leave--this time without her mother's approval. A fascinating look at a unique culture and a determined, ambitious young woman. (Coauthor Mathieu's afterword provides more insight into Moso culture from an anthropological standpoint.) Kristine Huntley
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
0 of 0 people found the following review helpful.
Not my type of book...
By John Paul Sassone
Honestly, I found it too boring to get through. I won't rehash what the book is about, you can get that from just looking at the description on this page, but needless to say it wasn't my cup of tea as it was slow and plodding.
32 of 35 people found the following review helpful.
Lovingly crafted tribute to enchanting Moso culture
By Blue Jean Online
....
by Melisa Gao, Sr. Correspondent
Leaving Mother Lake is the autobiographical account of a girl coming of age as a Moso, an ethnic minority that lives in the Himalayas in southwestern China. In the Moso culture, women hold an honored place, and families are matrilineal. Yet young Yang Erche Namu feels trapped by society's expectations of her. As she grows into a strong-willed young woman, she decides to leave the Moso to pursue her dream of becoming a singer. Forsaking her ties to her family and her people, Namu relies on her own determination and resourcefulness to brave the unforgiving world. But Namu is caught between two ways of life, and this struggle eventually becomes the focus of the story.
Namu, now a famous singer, wrote this memoir with the help of Christine Mathieu, an expert on the Moso people and their history. The authors' passion for this story and for the Moso people resonates with every sentence. Moso traditions and beliefs are a departure from almost any we encounter in today's world, and the book is worth reading for that reason alone. Leaving Mother Lake is a lovingly crafted tribute to this enchanting but little-known culture, with all its legend and lore.
Namu and Mathieu use wonderful details to paint a picture of the Moso people and their home. "Red granite and evergreen forests towered over the meadow, and peaks like saw teeth pierced the blue sky, slicing through feathery clouds - ridge after ridge, and as far as I could see," they write. "The air was so pure, so still, so empty of familiar smells and sounds that I might have become frightened if I had not been overwhelmed by so much wild beauty" (80). This calm beauty of the Moso villages later contrasts the rowdiness of the city streets Namu will visit.
Despite its unique setting, the themes of Leaving Mother Lake reach effortlessly across cultural differences. We laugh and cry with our heroine, and we identify with her feelings of confinement and longing. Leaving Mother Lake is primarily a book about love, loyalty, duty, and desire. That Namu and Mathieu can convey these emotions across the vast cultural differences is a testament to their storytelling abilities; their use of exquisite imagery and rich description make the story all the more enjoyable.
Copyright 2003, Blue Jean Online
25 of 28 people found the following review helpful.
About more than 'walking marriages'
By JG
The best beginnings are always the simplest.
In Leaving Mother Lake, the reader is instantly drawn in as Namu begins her story by pleading with her mother to share the details of her birth. With this seemingly simple request made at her mother's knee, Namu unfolds the world in which she grew up and all of the important players. She tells her own coming of age story but she also shares the stories of her village and her people.
It's easy to see why she wanted to leave such a remote and impoverished place. What makes Namu's story special is how much she feels indebted to her culture and her people for producing her.
Everyone has great stories about their childhood but some of Namu's are particularly expected. For instance, this is probably the first time readers will come to know a little girl who was so cold while herding yaks in the mountains that she stuck her legs in the yaks' stream of urine during Winter mornings to feel warm, even if only for a few moments.
A truly spectacular memoir.
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