phubronio: Agustus 2015

Minggu, 30 Agustus 2015

! Download Ebook The Dog Dialed 911: A Book of Lists from The Smoking Gun, by The Smoking Gun

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An all-new book from the creatorsof the hugely popular web site thesmokinggun.com. Themost hilarious and outrageous true stories uncovered inten years (almost) of the worldrsquo;s funniestinvestigative reporting.

Sales Rank: #3460650 in Books
Published on: 2006-10-09
Original language: English
Number of items: 1
Dimensions: 10.88" h x .63" w x 8.50" l, 1.39 pounds
Binding: Paperback
224 pages

About the Author
Bastone is an investigator reporter for the Village Voice.

Green is a freelance journalist.

Most helpful customer reviews

36 of 41 people found the following review helpful.
Funny and eye-opening
By David L. Brame
The lists provided in this book act as a testament to the idiocy of some people. Even those that hold top positions in our society did not get there based upon their intelligence.

Read this and enjoy. Readers will certainly find something that will educate, entertain, and with some luck, change their minds about those that are idolized.

Have fun!

8 of 9 people found the following review helpful.
Not near as funny as I thought it would be.
By Spencer Hutchinson
I bought this book as a gift for X-mas, before wrapping it I read through it and i was amazed at how different it was from the description that I had heard. This book was not funny, there were a couple of pages that were semi funny but the entire book wasn't worth the $12 or so, and i feel bad about giving it as a gift.

7 of 9 people found the following review helpful.
Between lame and bad
By Colonel Jenna
I was very disappointed in this book. Much of the material was rather lame although I liked the "stupid criminal" material.

Particularly offensive to me was the celebrity information, which was largely stuff that would not intrest anyone in the least if it involved an 'ordinary' citizen. It struck me as rather intrusive and rude to make money putting into print things that are technically public domain but is really stuff that isn't anyone's business or of intrest except to the celebrity-obessed. This is a philosophical point that not everyone shares. But even if you like celebrity dirty laundry, most of this was the equivalent of once-worn plain white tshirts, not tawdry lace undies or blood-splattered clothing.

See all 20 customer reviews...

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Sabtu, 29 Agustus 2015

^^ Free PDF New York Days, by Willie Morris

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In New York Days, the long-awaited sequel to the prize-winning North Toward Home, Willie Morris recalls his triumphant, exciting, and ultimately devastating years as the youngest ever editor-in-chief of Harper's, America's oldest magazine, when he was at the center of the nation's stunning cosmos of writing, publishing, politics, and the arts. It was the 1960s, when New York City was a place "throbbing with possibility" and "in which everyone seemed to know everyone else and where everything of importance seemed to happen first". These were Willie Morris's New York days - with William Styron, David Halberstam, Woody Allen, Bobby Kennedy, Truman Capote, Shirley MacLaine, George Plimpton, Leonard Bernstein, and the other leading figures of the time. For he knew them all: the writers, the poets, the intellectuals, the editors, the actresses, the tycoons, the detectives, the athletes, and not a few fakirs and charlatans. He wined with Sinatra at the Players Club and eavesdropped in the trattorias on the Mob; sat next to DiMaggio in the Garden ringside seats and spent evenings at Elaine's. And during the day, Morris worked to transform Harper's from an uninspired literary magazine to its apex as the groundbreaking political and cultural voice of the '60s, until the editorial rift and the mass resignations of 1971 - possibly the most notable dispute in American publishing history. New York Days is a portrait of an era, but it is also a poignant, deeply personal yet universal story of a man's life: a man who attains everything he has ever hoped for only to realize that what he has sacrificed is even greater. For in the process of reaching the pinnacle of his career, Morris also experiencedprofound loss: the dissolution of his marriage and the breakdown of the magazine as he helped create it. Now, from a vantage point of more than twenty years and a thousand miles, Morris asks his younger self: "Where on earth, fast-moving boy, are you going now?" And what, i

Sales Rank: #1390085 in Books
Color: Black
Published on: 1994-11-02
Original language: English
Number of items: 1
Dimensions: 8.50" h x .92" w x 5.51" l, 1.14 pounds
Binding: Paperback
408 pages

Features

ISBN13: 9780316583985
Condition: New
Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
Nearly 25 years after his bestselling memoir North Toward Home, the Mississippi-born writer and editor here revisits some of the same material--Southern boy in the big city--but with a closer focus on his controversial editorship of Harper's magazine. Morris writes, sometimes eloquently, sometimes with a little too much rhetorical rodomontade, about the magic of New York City and the distinguished writers with whom he worked during those influential years (1967-1971) when the magazine was the "hot book": Norman Mailer, David Halberstam, Marshall Frady, Larry L. King and Bill Moyers, among many others. Morris recaptures splendidly the heady sense that he and his magazine were helping to shape the culture of the times by focusing opposition to the Vietnam war and by taking the complicated beat of the contemporary American pulse. Eventually the magazine fell victim to the bottom-line mentality of its Minnesota owners, the Cowles family, and Morris quit. There are fine anecdotes galore (the early days of Elaine's celebrated restaurant are delightfully chronicled) and striking quotes; the whole is drenched in nostalgia and regret. Morris, now having been back home in Mississippi for many years, leaves readers with the feeling that he lived during the kind of time, personal and professional, that can never come again; and in a period when '60s attitudes are so readily scorned, it is salutary to be reminded of the sense of excitement and possibility those times aroused in so many writers.
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
Morris (The Courting of Marcus Dupree, 1983, etc.), Mississippi-born, was barely 30 when, in 1963, he took the helm of Harper's magazine and changed it from a genteel and respectable cultural warhorse into a writer-driven journalistic whiz-bang, publishing Mailer and Halberstam and everyone else who was pushing journalism into more plastic realms. Morris became the toast of the intellectual town--until he was forced out in 1971 by the Cowles family ownership. What he's written here is more a continuation of his first autobiographical book (North Toward Home, 1967) than a portrait of the 60's city the title describes--of being in the thick of literary politics, the political edges that flashed around like knives, the camaraderie at Elaine's and Bobby Van's: the whirl, in other words. An orotund and now-and-again infelicitous stylist (``The first time I met James Jones was in the city at the party the evening he told Ted Kennedy I was not the bartender''), Morris falls back too much on nearly year-by-year recapitulations of what his magazine published (something that adds an odd poignancy, in a way: that Morris had become subsumed in his identity as Harper's editor to the point that his works were his days). Portraiture here is at a minimum; mostly there are names and more names. That all of these are names culturally significant to the era gives the book its interest--but finally even they can't quite help it see much beyond its own bumped and bruised nose. Morris's pride, hurt and otherwise, is on every page--but disappointingly little of the cautionary tale of literary power that shades his whole story breaks free and takes over, or is allowed to be fascinating. (First printing of 25,000) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

From the Back Cover
In New York Days, the long-awaited sequel to the prize-winning North Toward Home, Willie Morris recalls his triumphant, exciting, and ultimately devastating years as the youngest ever editor-in-chief of Harper's, America's oldest magazine, when he was at the center of the nation's stunning cosmos of writing, publishing, politics, and the arts. It was the 1960s, when New York City was a place "throbbing with possibility" and "in which everyone seemed to know everyone else and where everything of importance seemed to happen first". These were Willie Morris's New York days - with William Styron, David Halberstam, Woody Allen, Bobby Kennedy, Truman Capote, Shirley MacLaine, George Plimpton, Leonard Bernstein, and the other leading figures of the time. For he knew them all: the writers, the poets, the intellectuals, the editors, the actresses, the tycoons, the detectives, the athletes, and not a few fakirs and charlatans. He wined with Sinatra at the Players Club and eavesdropped in the trattorias on the Mob; sat next to DiMaggio in the Garden ringside seats and spent evenings at Elaine's. And during the day, Morris worked to transform Harper's from an uninspired literary magazine to its apex as the groundbreaking political and cultural voice of the '60s, until the editorial rift and the mass resignations of 1971 - possibly the most notable dispute in American publishing history. New York Days is a portrait of an era, but it is also a poignant, deeply personal yet universal story of a man's life: a man who attains everything he has ever hoped for only to realize that what he has sacrificed is even greater. For in the process of reaching the pinnacle of his career, Morris also experiencedprofound loss: the dissolution of his marriage and the breakdown of the magazine as he helped create it. Now, from a vantage point of more than twenty years and a thousand miles, Morris asks his younger self: "Where on earth, fast-moving boy, are you going now?" And what, if anything, did it all mean? Beautifully written with bittersweet lyricism and exuberant humor, New York Days captures the spirit of the '60s: the dazzling parties, the fervent intellectualism, and the sense of slowly decaying idealism as the country plunged deeper into a tragic war and intensifying social chaos. And in the midst of this scene is Willie Morris, exalted, exhilarated, and eventually almost consumed by his brilliant, electric, enervating New York days.

Most helpful customer reviews

15 of 15 people found the following review helpful.
Good Ole Southern Boy Meets NYC Literati
By A Customer
Okay, in reality Mr. Morris was, what, 26 -- and the youngest person to hold the position of Editor at Harper's? Anyway, a fascinating look at the NY literary world during the mid to late 60's. Morris was witness to one of the greatest gatherings of young and gifted writers ever assembled in the modern era.
The book starts with the professional steps Morris took prior to accepting the position. The narrative contiues with his insights into the history of Harper's, and then goes into detail about some of the current and previous literary heavyweights that populated the cramped offices as either full-time workers or contributers.
The passages on how he got Norman Mailer to contribute pieces are illuminating and memorable.
If you liked 'North Toward Home,' you'll like this one as well. A very touching book.

0 of 0 people found the following review helpful.
This one does not disappoint. I love his writing and wish there were ...
By Marilynn C. Fuhrer
Having retired in the south from Southern California I was anxious to read all of Willy Morrises writings. This one does not disappoint. I love his writing and wish there were more to come. Alas the poor man is passed on.

0 of 1 people found the following review helpful.
Five Stars
By Sonia
Best book ever!

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Jumat, 28 Agustus 2015

! Free PDF Bartlett's Poems for Occasions, by Geoffrey O'Brien

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Bartlett's Poems for Occasions, an entertaining, thought-provoking companion to the bestselling Bartlett's Familiar Quotations, is the book to turn to for any circumstance-from birth to death and everything in between. Under the direction of esteemed poet and writer Geoffrey O'Brien, Bartlett's Poems for Occasions will inspire you to turn to poetry to celebrate a new baby or marriage, toast a colleague, cheer a graduate, honor a birthday, deliver a eulogy, or add zest to a holiday party. It is the perfect solution to the age-old question, What should I say?

Sales Rank: #2210358 in Books
Published on: 2004-04-01
Original language: English
Number of items: 1
Dimensions: 9.50" h x 1.50" w x 7.75" l, 2.30 pounds
Binding: Hardcover
544 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
rileys gammy
By rileys gammy
great for learning poems. good reference for teenagers...young love and papers for college students to use. full poems written by famous authors as well as some not known. Good for crafters wanting to have references. Very thick book! poems re: teen, teen issues, relationships, love, lovers, teen suicide, romance....of a few listed.

0 of 0 people found the following review helpful.
Not Published Well
By BK_Jol
Much of the content is unnecessarily broken across pages, making it difficult to read and appreciate. This is not a novel after all, it is poems and short stories, I think they could have done a better job.
The content is organized in certain categories, which is okay, however there is no index by Poem, and no index by "first lines".
There is an index by author with all of that author's contributions which is good to see.

0 of 0 people found the following review helpful.
Good content
By Sacred Chapel
Not a tiny book to tote about, is a large book and has lots of content.

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^ Free PDF Leaving Mother Lake: A Girlhood at the Edge of the World, by Yang Erche Namu, Christine Mathieu

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- The hardcover edition of LEAVING MOTHER LAKE debuted at #3 on the San Francisco Chronicle's bestseller list.- A revelation of a culture virtually unknown in the West, a contemporary society in which women enjoy true sexual and economic freedom.- A huge international success, with rights sold in England, Finland, Germany, Holland, Hungary, Israel, Italy, Japan, Spain, and Sweden.- Hardcover ISBN: 0-316-12471-0

Sales Rank: #658553 in Books
Published on: 2004-02-10
Fabric type: Paperback
Original language: English
Number of items: 1
Dimensions: 8.25" h x .88" w x 5.50" l, .62 pounds
Binding: Paperback
320 pages

From Publishers Weekly
With the help of anthropologist Mathieu, singer Namu describes growing up on the Chinese-Tibetan border in Moso country, "the Country of the Daughters." Detailing her late-1960s, early-'70s upbringing-she was known in her village as "the girl who was given back three times"-she sheds light on the unique matrilineal Moso culture, with its "walking marriages," where women take as many lovers as they want and the men continue to reside in their mothers' homes. The interweaving of the customs of this remote part of China-where "a man and a woman may sing to each other from the peaks of two mountains, but they will need to carry food for three days if they want to meet halfway"-with Namu's determination to have a worldly life despite her family's poverty and her own inability to read and write lend this tale poignancy. Most readers will find themselves rooting for Namu as she runs away from home, travels across the country and successfully auditions for a place in the Shanghai Music Conservatory at age 16. There, she learns to read and write and launches her international singing career. For those who doubt that a land could exist where girls are favored over boys and marriage is viewed with distrust, Mathieu appends an afterword about her research on the Moso and the changes that have taken place, including universal education. While not a stylistic masterpiece, the book brims with vivid descriptions of a fascinating culture. 1 b&w photo, 2 maps.
Copyright 2002 Reed Business Information, Inc.

From School Library Journal
Adult/High School-In a remote part of China near the Himalayas live the Moso people. Except for a couple of somewhat humorous attempts at assimilation by the revolutionaries, their traditions have remained unchanged. Mothers head the household, and adult children are expected to live with them. Marriage is considered impractical and unnatural. Namu was born in the 1960s to a woman who, in an act of rebellion, started her own house. Growing up, Namu displayed a similar independent streak. When she was discovered by Chinese officials looking for talented singers of ethnic songs, there was no stopping her from engaging with the outside world. Upon admit-tance into the prestigious Shanghai Music Conservatory, Namu asked for Han Chinese (the ethnic majority) roommates. Her choice paid off in improved language skills, although she had to deal with the nastiness of a particularly prejudiced individual. This memoir vividly conveys the bitter cold of mountain nights and strained relationships, along with the warmth of hearth, hospitality, and deep understanding. A fascinating glimpse at a unique culture and the melding of two worlds in a journey to adulthood.
Sheila Shoup, Fairfax County Public Library, VA
Copyright 2003 Reed Business Information, Inc.

From Booklist
Namu grew up in Moso country in south China, in a community where people usually live their entire lives in the same village they are born in. In Moso society, women own the houses and are heads of the households. Their adult children take lovers and have children of their own, but they do not leave their mother's house--except for Namu's mother, Latso, who, after almost joining a group of Chinese Communists, instead settled in a nearby village and took a series of lovers. Namu, her third child, was as willful as her mother. As a teen, Namu left home to tour with a musical troupe. Namu and her troupe won contests all over China, but when she returned to Moso country again, she found her village too small and once again made plans to leave--this time without her mother's approval. A fascinating look at a unique culture and a determined, ambitious young woman. (Coauthor Mathieu's afterword provides more insight into Moso culture from an anthropological standpoint.) Kristine Huntley
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Not my type of book...
By John Paul Sassone
Honestly, I found it too boring to get through. I won't rehash what the book is about, you can get that from just looking at the description on this page, but needless to say it wasn't my cup of tea as it was slow and plodding.

32 of 35 people found the following review helpful.
Lovingly crafted tribute to enchanting Moso culture
By Blue Jean Online
....
by Melisa Gao, Sr. Correspondent
Leaving Mother Lake is the autobiographical account of a girl coming of age as a Moso, an ethnic minority that lives in the Himalayas in southwestern China. In the Moso culture, women hold an honored place, and families are matrilineal. Yet young Yang Erche Namu feels trapped by society's expectations of her. As she grows into a strong-willed young woman, she decides to leave the Moso to pursue her dream of becoming a singer. Forsaking her ties to her family and her people, Namu relies on her own determination and resourcefulness to brave the unforgiving world. But Namu is caught between two ways of life, and this struggle eventually becomes the focus of the story.
Namu, now a famous singer, wrote this memoir with the help of Christine Mathieu, an expert on the Moso people and their history. The authors' passion for this story and for the Moso people resonates with every sentence. Moso traditions and beliefs are a departure from almost any we encounter in today's world, and the book is worth reading for that reason alone. Leaving Mother Lake is a lovingly crafted tribute to this enchanting but little-known culture, with all its legend and lore.
Namu and Mathieu use wonderful details to paint a picture of the Moso people and their home. "Red granite and evergreen forests towered over the meadow, and peaks like saw teeth pierced the blue sky, slicing through feathery clouds - ridge after ridge, and as far as I could see," they write. "The air was so pure, so still, so empty of familiar smells and sounds that I might have become frightened if I had not been overwhelmed by so much wild beauty" (80). This calm beauty of the Moso villages later contrasts the rowdiness of the city streets Namu will visit.
Despite its unique setting, the themes of Leaving Mother Lake reach effortlessly across cultural differences. We laugh and cry with our heroine, and we identify with her feelings of confinement and longing. Leaving Mother Lake is primarily a book about love, loyalty, duty, and desire. That Namu and Mathieu can convey these emotions across the vast cultural differences is a testament to their storytelling abilities; their use of exquisite imagery and rich description make the story all the more enjoyable.
Copyright 2003, Blue Jean Online

25 of 28 people found the following review helpful.
About more than 'walking marriages'
By JG
The best beginnings are always the simplest.
In Leaving Mother Lake, the reader is instantly drawn in as Namu begins her story by pleading with her mother to share the details of her birth. With this seemingly simple request made at her mother's knee, Namu unfolds the world in which she grew up and all of the important players. She tells her own coming of age story but she also shares the stories of her village and her people.
It's easy to see why she wanted to leave such a remote and impoverished place. What makes Namu's story special is how much she feels indebted to her culture and her people for producing her.
Everyone has great stories about their childhood but some of Namu's are particularly expected. For instance, this is probably the first time readers will come to know a little girl who was so cold while herding yaks in the mountains that she stuck her legs in the yaks' stream of urine during Winter mornings to feel warm, even if only for a few moments.
A truly spectacular memoir.

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Selasa, 25 Agustus 2015

* Download When the Moon is Full: A Lunar YearFrom Little, Brown Young Readers

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When the Moon is Full: A Lunar YearFrom Little, Brown Young Readers

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This lunar guide describes the folkloric names of twelve moons according to Native American tradition and showcases their defining characteristics in short verse and beautifully detailed hand-colored woodcuts. A question-and-answer section includes information about the moon's surface, an explanation of a lunar eclipse, and the true meaning of a blue moon.

Sales Rank: #569356 in Books
Published on: 2001-09-01
Original language: English
Number of items: 1
Dimensions: 10.25" h x .39" w x 10.25" l,
Binding: Hardcover
32 pages

From Publishers Weekly
Azarian's (Snowflake Bentley) hand-painted woodcut prints provide evocative, haunting nature scenes for Pollock's (The Turkey Girl) eloquent poems in honor of each month's full moon. Each new spread reveals a spectacular nighttime vista; readers may well turn the pages as they would a calendar, pausing over the beauty of one scene, anticipating the next. Snow in February yields to sap buckets in March; raccoons feast on corn under the August moon while squirrels gather acorns on September nights. The poems vary in rhythm and mood, and are often arresting in their simplicity: "Lilies of the valley/ ring each silent bell/ when May's bright moon/ lightens up the dell"; in July, "Young bucks/ in the hayfield,/ antlers held aloft./ Moonbeams slanting down,/ show them velvet soft." Traditional Native American names for the moon serve as the poems' titles (January is the "The Wolf Moon") and a simple explanation follows: "Native Americans believed that wolves became restless in January." A concluding question-and-answer page provides additional information about the moon. This lovely volume will likely charm readers and inspire them to linger a bit longer under the night-time sky. Ages 4-8.

From School Library Journal
K-Gr 4-This delicate collection of poems offers a beautifully illustrated look at a year's worth of full moons. The Native American name for each moon is given, along with brief facts about it. An interesting question-and-answer section offers a variety of information about the moon itself, common misconceptions, and the truth about blue moons. Short and simple selections convey a variety of moods. For example, June is home to the strawberry moon, when "We feast all night/in moon's spotlight/forgetting all our foes,/tramping on the berries/that squish between our toes." The accompanying picture features three gleeful bears frolicking in the warm moon glow of a strawberry patch. Azarian's woodcuts are bathed in soothing blues, greens, and buttery yellows that entice readers to view this book outside under the moon's shadowy embrace.

Lisa Gangemi Krapp, Middle Country Public Library, Centereach, NY

From Booklist
Ages 5-8. To the Native Americans who used the full moon to help them keep track of time, there was no such thing as January. Instead there was the wolf moon, because wolves, they believed, became restless in January. Every month had a special moon name, chosen to reflect a characteristic specific to that month. Pollock uses these traditional moon names, and the beliefs and customs that inspired them, as the basis for her original poetry. The text comprises the name of the month, in bold type, and the moon name immediately beneath it; Pollock's poem; and a short sentence or two explaining the moon name. All of this is set against a gorgeous woodcut print, in Caldecott Medal winner Azarian's distinctive style, produced on a nineteenth-century hand press and hand colored. The sturdy pictures provide just the right look for the nature-themed poems. The final spread asks and answers 20 questions about the moon, three of which consider its connection to Native American culture. Lauren Peterson
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

0 of 0 people found the following review helpful.
Lovely
By SHERI FOWLER
Another treat from an accomplished wood block printer.

9 of 9 people found the following review helpful.
For Moon Lovers Everywhere.....
By Roz Levine
"Full moons come,/full moons go,/softening nights/with their silver glow./They pass in silence,/all untamed,/but as they travel,/they are named." Native Americans named each full moon after a special characteristic that the month brought. For instance, January was the Wolf Moon, because they believed wolves became restless in January, May was the Flower Moon, because that is when many flowers bloom, and October was the Hunter's Moon, because the moon rises early adding to the light of the setting sun and giving hunters extra time to hunt. Penny Pollack and Mary Azarian have authored a beautiful yearful of poetry, detailing the wonders and glories of the moon. Ms Pollacks gentle, quiet, original verses are eloquent and lyrical, and include the name of the month, the unique Native American moon name, and a simple explanation of the moon name. Ms Azarian's hand-painted woodcut illustrations of gorgeous nature scenes bathed in moonlight are evocative and offer a feast for the eyes. Perfect for youngsters 4-8, When The Moon Is Full includes an informative and entertaining two page spread of questions and answers about the moon, and is a lovely bedtime book the entire family can share and enjoy together.

5 of 5 people found the following review helpful.
all about the moon
By Amazon Customer
Each two page spread has a picture, the moon's name (Native American), a short poem and a short fact about the moon. At the end of the 12 months, there is a Q and A section about blue moons and why the moon changes shapes. A very kid friendly book about the different times of year.

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~ Get Free Ebook Rolling Stone the Seventies: The Seventies, by Calif.) Rolling Stone (San Francisco

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Lavish, powerfully written, gloriously designed, "The Seventies" recaptures everything wonderful about the excess of the decade.

Sales Rank: #1930309 in Books
Published on: 1998-10
Original language: English
Number of items: 1
Dimensions: 11.25" h x 8.75" w x 1.25" l, 3.00 pounds
Binding: Hardcover
288 pages

Amazon.com Review
When future archeologists pick apart the 1970s in America, due reverence will be paid, no doubt, to blaxploitation films, Watergate, gun-toting million-heiress Patty Hearst and her Symbionese Liberation Army pals, the finer points of the Hustle, and the collision between imported punk rock and U.S. hip-hop. Meantime, Rolling Stone--the quasi-music magazine that put its impudent stamp on that decade--has turned in a hip and heady timeline of those days of yore. Dr. Hunter S. Thompson (Fear and Loathing in Las Vegas) weighs in on the birth of Gonzo journalism, his peculiar brand of drug-driven, paranoid, and often inspired ravings that turned cultural and political reportage into mental pinball. American Indian Movement leader Russell Means recalls surviving three blizzards and "more than five million rounds of ammunition" aimed at the Native Americans who held the South Dakota village of Wounded Knee. Chrissie Hynde of the Pretenders writes about her freshman year at Kent State University in Ohio when the National Guard opened fire on students protesting the Vietnam War and killed four. On alternate pages, a column chronicles such momentous events as the FDA ban of the potentially carcinogenic dye that gave us red M&Ms; John Travolta's smash hit Grease; and the prescient pardon bestowed on former President Nixon for "all federal crimes he may have committed," although he had not yet been charged with any. Though far more entertaining than intellectual, Rolling Stone: The '70s is a wondrous revival of a sandwich decade sometimes marked off as a wasteland. --Francesca Coltrera

Most helpful customer reviews

8 of 8 people found the following review helpful.
a serious yet entertaining look from the inside
By A Customer
I'd had about as much ironic 70's redux as I could take; maybe that's why this book was such a pleasure to read. That and the fact that it exceeded all expectations that the Rolling Stone imprimatur conferred. This is a collection of essays by people who were there and have something to say about what they saw. The perspective is intimate but the observations-- especially if you were a teenager then as I was-- are universal. Patty Hearst, Ali, Nam, Zep, Nixon, Evel Knievel, disco, Dr. J., it all came jumping off the page. Many of the decade's Who's Who-- Dan Rather, Chrissie Hynde (present at Kent State!), John Milius, Hamilton Jordan, Joan Baez-- are not just subjects; they're essayists! Oh and by the way, the photos alone are worth the price of the entire book.
As informative as anything I read as an Ivy League history major and as good company as my high school party pals. If you lived it or if you want to find out how we got where we are then you must read this book.

5 of 5 people found the following review helpful.
Seventy essays on that decade
By Daniel J. Hamlow
The wild, disillusioning, violent, and tragic face of the 1970's is covered in seventy (how apropos!) essays ranging from writers, entertainers, journalists, people connected with the entertainment industry, and more. Together, they bring about an exhaustively covered retrospective composite of that decade.
Self-expression and the alarming gung-hoism of the US is recounted by Chrissie Hynde, who was a freshman at Kent State on that fateful day in 1970. To her, it was "inexperienced people put in chrage of events they didn't know how to handle," but she lists Sinead O'Connor being booed by Dylan fans for her political slap at the pope on TV, realizing how self-expression has become suppressed in the name of patriotism.
The redemption of the South is told in essays about the resurgence of Southern rock, e.g. the Allman Brothers, and Jimmy Carter's winning the Oval Office. His advisor Hamilton Jordan defends Carter by his tackling tough issues Nixon or Ford refused to touch, such as the Panama Canal treaty, SALT, and the Middle East peace process, but was sunk by bad luck (the price of oil, the shah's ouster).
Nothing new is revealed in Dan Rather's essay on Watergate. Yes, that scandal fostered a deep cynicism and skepticism in journalism and among the people in politics. It was the American people who decided Nixon's fate, but the legacy of that is what do people do when confronted with similar guilt from a politician or celebrity? Do they want objective truth, or do they want something splashed out sensationalistically, with a "gate" suffix attached?
The music acts/artists covered here are David Bowie, Led Zeppelin, The Who, The Eagles, and Fleetwood Mac. The portion covering the Eagles is an interview with Don Henley and Glenn Frey, and something Henley said struck me as embodying what the 70's was. Henley lists the 70's as an attitude of disillusionment that the love-one-another ideal of the 60's didn't pan out and how a self-centered, self-concerned, materialistic mindset arose from the late 70's. Still, Glenn Frey does argue that the 70's gave some great names in music.
Fleetwood Mac carved their name into rock legend status with Rumours, and the essay on them is written by Mick Fleetwood's ex-wife Jenny Boyd, who writes about the breakups and affairs that were going on during the making of the album and how they affected her personally.
The essay that really drew me was Mikal Gilmore on his reaction to his brother Gary Gilmore, who became the first men executed after the Supreme Court made capital punishment constitutional after years of review, and the ethics of life and death in the Karen Ann Quinlan case. And disabled veteran Ron Kovic's quote on Vietnam rings true today: "a war ain't over until you don't have to live with it anymore."
Film critic Peter Travers says he hates what Star Wars led to: the spate of sequelitis, cross-merchandise marketing, and soulless sci-fi movies like Starship Troopers. SW also rode the crest during a brief time (1976-1978) when it looked like things would be better, as Don Henley also thought. But it was also an escapist thriller, something needed after Vietnam and Watergate, something simpler, exciting, and yet innovative.
There's also a chronological timeline by day listed in the margins, listing events as groundbreaking as Nixon's resignation to what song and album were at the top of the Billboard charts and what were the year's biggest movies, albums, and books. Mostly a pop culture stance on the Me Decade, but with asides to issues still relevant today.

3 of 3 people found the following review helpful.
A rich revival of the minds at work in the 70s
By A Customer
Rolling Stone the Seventies by Kahn et al. admirably distills the current and past thoughts of many of the influential 70s writers, and a range of participants from politicians to musicians. It is too bad there is no accompanying CD or CD-ROM to go along with the book.
The collection -- mostly essays and pictures, places the 70s in a nicely printed coffee table book. Marginal notes including timeline reference the dramatic movement through the decade. As a reference or a momentary revival of the period, the book provides content and layout that no other book contains.

See all 8 customer reviews...

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- The novel was inspired by the life of the author's grandfather, a tapestry weaver in the last imperial court of Vietnam.- A selection of Minnesota's Talking Volumes book club.- A brilliantly textured historical romance that is sure to be a favorite with reading groups throughout the country.- Hardcover ISBN: 0-316-28441-6

Sales Rank: #900465 in Books
Published on: 2003-10-15
Original language: English
Number of items: 1
Dimensions: 8.50" h x .75" w x 5.51" l, .95 pounds
Binding: Paperback
336 pages

Features

ISBN13: 9780316735605
Condition: New
Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
Nguyen follows his acclaimed memoir, The Unwanted (2001), with a daringly complex and vividly imagined debut novel about a boy who fights to reclaim his family's royal legacy in Vietnam at the turn of the century. Seven-year-old Dan Nguyen is married in childhood to a 27-year-old family servant named Ven, who hides and protects the boy when rivals come to execute Dan's parents. But Dan's strange union with Ven is disrupted when Ven contracts malaria and she is forced to sell him into slavery to the mayor's family. Dan's stint as a slave proves fateful, though, when he becomes the personal servant of the beautiful Tai May and the two fall in love. In spite of Dan's station, Tai May chooses him over a wealthy young suitor. When the spurned suitor spies on Dan and finds out about his marriage to Ven, Dan is forced to flee the family. The dizzying intricacy of the plotting occasionally becomes a bit overwhelming as Nguyen tracks Ven's tragic fate and Dan's search for Tai May while attempting to piece together a treasure map that has been laid out as an interlocking series of body tattoos. But the beauty of Nguyen's stately, ornate prose-perfectly suited to the rigidly formal customs of Vietnamese royalty-serves him well as the complex plot unfolds. The scope of the tale and its grace and power make this a formidable first novel.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
Nguyen follows up The Unwanted, his memoir of growing up Amerasian in postwar Vietnam, with a first novel based on stories from his grandfather's past. Nguyen relates an epic tale of family, greed, revenge, and love set in Vietnam during the early decades of the 20th century. During this time, there was growing discontent with colonial rule as well as greater acceptance of Western ways. The hero, Dan Nguyen, is married at the age of seven to Ven, nearly 20 years his senior. Shortly after their marriage, Dan's family falls victim to local rivalries and revolutionary intrigue, and the newlyweds witness the brutal murders of Dan's father and two of his three wives. Ven urges her reluctant child-husband to seek revenge, but his quest stalls when he falls in love with his enemy's granddaughter. An exciting tale that takes many twists and turns before finally ending with Dan's telling his stories to his young grandson, this work is marred somewhat by its fairy-tale qualities and minimal character development. Recommended for public and academic fiction collections.
Rebecca Stuhr, Grinnell Coll. Libs., IA
Copyright 2002 Reed Business Information, Inc.

From Booklist
Nguyen's powerful debut novel is based on the story of his grandfather's life in Vietnam in the early 1900s. Dan Nguyen is born into a wealthy family and married off at seven to Ven, a woman 20 years older than he is. Ven is expected to serve her new family, and she dutifully accepts her role. When Dan's father and his first two wives are arrested on trumped-up piracy charges, Dan's life changes overnight. After witnessing Dan's father's execution, Ven knows that she must hide Dan for his own safety. She takes Dan to the house of his father's mortal enemy--the man who had him executed, Mayor Toan. She sells Dan to the family as a servant, knowing Toan will never think to look for Dan in his own house. As Dan grows to adolescence, he falls in love with Toan's beautiful granddaughter, Tai May. Though his love is reciprocated, the two face seemingly insurmountable obstacles to their love. Nguyen's first novel is a thrilling tale based on an extraordinary life. Kristine Huntley
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

34 of 35 people found the following review helpful.
A beautiful, quintessentially Vietnamese story.
By alainviet
I have read many books written in English about Vietnam, but found only a few that clearly reflect the soul and spirit of the Vietnamese: "The tapestries" is one of them.
The story took place between 1916 and 1932 in a small village near Hue, the Imperial City of Vietnam. This is a book about commoners, middle class people and royalty. It deals with a wicked magistrate and his granddaughter Mai but also a heroine Ven, who at age 15 was given in marriage to then seven year-old Dan. There are also a minister, a eunuch, the queen's lady-in-waiting, and a time-teller (similar to Quasimodo in the Hunchback of Notre Dame).
The story then moved to Hue and we are given a glimpse of the slowly fading monarchy. There were plots, murders, injustice, hate, love, and redemption throughout of the book. The plots were as thick as the tropical jungle (like any Vietnamese story) with a twist at every corner. The author kept us guessing (wrong most of the time) and held us in suspense until the next chapter.
I found the novel remarkable and I am certain the reader will appreciate and thank the author for bringing something exotic to the American public.

0 of 0 people found the following review helpful.
Great story.
By isabelle m bromstead
One of my favorite books. My mother read it before me & loved it and wanted me to read it. I finally read it after my mother passed away & loved it & was sad she was gone & wasn't able to talk abut the book. I lent the book & never got it back so I bought again to read it a 2nd time. So good.

14 of 16 people found the following review helpful.
A Flawed Gem
By A Customer
This is a gem of a book with many qualities that have obviously endeared it to the other reviewers here. It's a good read for most readers, even if it suffers from several flaws.
The writing is mostly good, if somewhat artificial at times, especially when the author seemed to overreach in trying to be too lyrical. Behind the words, the story struggles to be told, even though one has probably guessed what it would be after the first two chapters. The historical background seems of uncertain authenticity and could have benefited from better research.
Somehow I wish that the author had not yielded to his editors and done things like reversing the traditional order of Vietnamese names, or making them easier to pronounce in English but unrecognizable in Vietnamese. After all, how would Americans feel if they were to read a Vietnamese book where George Bush is referred to as Bush George?

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Senin, 24 Agustus 2015

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Welcome to Soul City, the fictional American metropolis where magic is as natural as sunshine. With this inspired collection--in which irreverent humor and sharp-eyed social satire combine to produce unforgettable stories--Toure emerges as one of the most talented and inventive young writers at work today.

Sales Rank: #653598 in Books
Published on: 2003-04-04
Original language: English
Number of items: 1
Dimensions: 8.50" h x .62" w x 5.51" l, .54 pounds
Binding: Paperback
272 pages

Features

ISBN13: 9780316738361
Condition: New
Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
Soul City, a place where racial divisions are juxtaposed and black love flows freely, is the main setting for The Portable Promised Land, a debut collection of short stories by Touré. Buoyant and edged with magical realism, stories such as "The Steviewondermobile"; "A Hot Time at the Church of Kentucky Fried Souls and the Spectacular Final Sermon of the Right Revren Daddy Love"; and "The Sad, Sweet Story of Sugar Lips Shinehot, the Man with the Portable Promised Land" are moving testaments to the urban black experience, comingling or interchanging music, religion, and human failings with dramatic and comic effect. We are told: "No matter how rotund she was Daddy Love could still hug her in surround-sound stereo because Daddy Love was super-sized as though God had intended him to be literally larger than life." And, when Sugar Lips Shinehot dare ask the price of boundless freedom (by eliminating all white men) offered to him by Reverend Scratch (a.k.a. the Devil) and is chided for doing so, Sugar Lips simply replies, "If you from Harlem you do." These main stories are fresh and earnest, and well worth reading.

The rest of the collection, however, is a mixed bag. A triptych of the Black Widow, a female hip-hop militant-gangsta out to turn the world of the white folks (or MCs--Melatonin Challenged) upside down, is sensationalist but falls flat, and several of the pieces rely on catalogs of pop culture references, words and phrases in the black lexicon, or amateurish listing. While the delivery may be messy, the ideas are clear and important--from what America would be like in a black-dominated society to interracial relationships to the importance and beauty of black language. As Touré notes: "When you a Negro white folk is like doors. You got to go though them to get most anywhere." --Michael Ferch

From Publishers Weekly
Tour‚ takes a measured yet whimsical look at the ups and (more often) downs of modern African-American life and culture in his successful debut collection of stories, lists and essays, most of which use racial stereotypes as their jumping-off point. He gets things off to a funny start with "The Steviewondermobile," a snappy yarn about a resident of the mythical Soul City named Huggy Bear Jackson, who installs in his Cadillac a state-of-the-art sound system that will play only the blind soul singer's tunes. "Attack of the Love Dogma" takes a pointedly satiric tack as it portrays a detox center where black men are slowly weaned of their "Blonde Obsession," while "A Hot Time at the Church of Kentucky Fried Souls..." finds one Daddy Love setting up a chapel in an abandoned restaurant formerly run by "that good ol neo-massa Colonel Sanders." Tour‚ displays a fine eye and ear for language in a pair of word-based conceits, "Afrolexicology Today's Bi-Annual List of the Top 50 Words in African-America" and "The African-American Aesthetics Hall of Fame." His over-the-top sense of humor serves him well, although occasionally his sharp but somewhat hyperactive style gets away from him, most notably in a trilogy of stories about a female hip-hopper-cum-ghetto guerrilla named the Black Widow that degenerate into facile diatribes on racial politics. A few missteps aside, this respected essayist and Rolling Stone editor should find an enthusiastic audience for his lively brand of social commentary.
Copyright 2002 Cahners Business Information, Inc.

From Library Journal
This collection of stories, vignettes, and essays is a sharp celebration of black urban life, filled with characters at once surreal and familiar. Tour 's Soul City includes people like Huggy Bear and his Steviewondermobile, an automotive expression of his love of Stevie Wonder's music; Reverend Daddy Love, a preacher who loves some of his congregation more than others; and the Jacksons, whose son has been possessed by every black stereotype imaginable. But this book is more than a collection of stories about eccentric residents. There are commentaries on black language (Afrolexicology), rituals for couples breaking up, jazzy tone poems about one-night stands, and tough-love therapy for black men who insist on dating blondes. In this debut collection, Rolling Stone contributing editor Tour has given life in Soul City a comic edge, revealing the humor and absurdities behind the seriousness of race. Even the author's note and acknowledgments are fun to read. Highly recommended.
- Ellen Flexman, Indianapolis-Marion Cty. P.L., Indianapolis, IN
Copyright 2002 Reed Business Information, Inc.

Most helpful customer reviews

7 of 8 people found the following review helpful.
WOW
By K. Kimbrough
Oh WOW! Toure's The Portable Promise Land is summed up in one word, WOW - Wonderful One of a kind Writer!
This book of short stories is a trip into an alternate world where man's automobile systems are designed for Stevie Wonder (and that is not a bad thing), a church gathers in a Kentucky Fried Chicken building (Oh what a commentary), people are bound to stay in the playground of the blasé, and break ups are out in the open (no room for gossip here).
This collection of eclectic stories takes a real reader on a ride of renewed interest in creative writing with messages. In the land of relationship novels (which are not a bad thing) this book is refreshing. Toure is a truly talented writer with a lot to say. His stories are not only clever and entertaining but they require that you think while reading. He really challenges himself in his writing with word choices and word play. In his story "A Guest", he tells one story in short simple sentences that all begin with "A". His story "The Break-up Ceremony" (which I suggested that a friend put in an anthology he created for his writing class) is an interesting view of a public ceremony announcing the break up of a relationship. This was one of the best stories in the collection.
My angst with this collection of stories is he strays from prose into listings. Although they are appropriate for his thematic scheme, I felt they took away from the flow of the book. Also some of his stories have so many layers that re-reading may be necessary (but I guess that is not always a bad thing). My true rating would be a 4.5 but since halves are not offered I do not feel it generous to give it a five. This is a highly recommended read.
Kotanya
APOOO BookClub

3 of 4 people found the following review helpful.
Touré's Tour de Force
By Kathleen S. Osta
I bought this book for the story "Solomon's Big Day" which I heard read on NPR and was totally taken with and stayed in my car to hear the end of. The story is a great description of a young boy's creative spirit and his close call with fame. Though clearly fiction, it's not that far off from what I imagine to be reality.

Then, there's the rest of the book and all the other captivating stories! Touré's ability to create a mood and draw me in is like going on a series of mini-vacations to other worlds. I'm so pleased to know of his existence and will track his future work.

6 of 9 people found the following review helpful.
A Portable Pleasure
By Amazon Customer
The Portable Promised Land is portable laughter, portable epiphany, and a portable good time. I brought it up to my roof and read some of it aloud to my roomate. I read one story to my boyfriend. This book wanted, begged even, to be shared aloud. I laughed at Toure's caricatures of black urban life (the redundancy of fast food fried chicken chains in Brooklyn), at his crazy imagination (an enormous preacher jumps into the air and hovers fifty feet above his congregation) and at the strokes of linguistic genius that elevate a story from the merely entertaining to a seriously sweet read. I also like that his "Afrolexicology" list includes "Vodou" - spelled according to proper Haitian Creole.

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This text provides a concise review of the pathophysiology of all major diseases, with the emphasis placed on the aberrations of normal physiology. The figures illustrate both normal and abnormal physiology, allowing students to compare changes occuring in stages of disease.

Sales Rank: #5299685 in Books
Published on: 1996-01-15
Original language: English
Number of items: 1
Dimensions: 9.50" h x 7.75" w x 1.25" l,
Binding: Paperback
799 pages

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